SIGNED by Gary Grimshaw in the lower right corner. Offset litho. 55.6x43cm. Central colour-tinted photograph of John Sinclair smoking a joint, flanked by marijuana leaves. Among the participants listed are John Lennon and Yoko Ono (convinced by Jerry Rubin to play at the rally after reading Ed Sanders' poem 'The Entrapment of John Sinclair'), along with Archie Shepp, Phil Ochs, Up, David Peel, and Commander Cody (surprise latecomer Stevie Wonder also performed but isn't listed). Speakers included Rennie Davis, Allen Ginsberg, Bobby Seale, Leni Sinclair, Jerry Rubin, and Ed Sanders. John and Yoko performed the former's..... More about JOHN SINCLAIR FREEDOM RALLY. Original poster designed by Gary Grimshaw announcing a benefit...

Printed in crimson and purple on white stock. SIGNED by Gary Grimshaw. 28x21.5cm. Announces other events to be held during the Tribal Council Week, including a poetry reading by Ed Sanders, a film show, and a dinner and community meeting. Fine. More about TRIBAL STOMP! Original handbill designed by Gary Grimshaw announcing a Tribal Stomp! with speaker...

SIGNED by Gary Grimshaw. 28x21.6cm. Printed in purple on pale yellow stock. Fine. More about GOOD FRIDAY TRIBAL STOMP! Original handbill designed by Gary Grimshaw announcing Up, Früt,...

NY: Douglas, 1972. First edition, softcover issue. SIGNED and inscribed by Sinclair to the founder of Family Dog Productions, Chet Helms: "for Chet Helms I hope we can get together one day - Love John Sinclair". It's not clear if Sinclair and Helms did get together, though it seems likely that their paths would have crossed since the Family Dog commune was co-founded by several Artists' Workshop regulars who moved from Detroit to San Francisco. Neat archival tape repair to leading edge of upper wrapper; faint reading creases to spine; o/w Very Good. More about Guitar Army. Street Writings/Prison Writings

London: Headpress, 2008. First edition. Wrps., 298pp. + 16pp. insert of photographs by Leni Sinclair. SIGNED and inscribed by the author on the title page to John Hopkins: "For Hoppy - from way back in the game - with love, John Sinclair London 3-17-2009". A nice association copy since both Sinclair and Hoppy were arrested for cannabis possession and served time in jail, and in both cases their imprisonments led to campaigns for their release and changes to the drug laws. The book collects 22 poems and 22 writings selected by Sinclair "from a lifetime of..... More about It's All Good: A John Sinclair Reader

London: Thames & Hudson, 2008. First edition. 4to. Decorated boards. 240pp., with 421 colour illustrations. This copy SIGNED and extravagantly inscribed by Aldridge in black and gold marker pens on the pink front endpaper with the words "All You Need Is Love", with an added drawing of a small spider dangling from the 'e' in his surname, a glowing star and a large outline of an arrow-pierced heart. The artist's lavishly illustrated autobiography, charting his exuberant career and interspersed with vivid anecdotes of his encounters with Salvador Dali, Paul McCartney, Steve McQueen, Francis Ford Coppola and..... More about The Man with Kaleidoscope Eyes

Kathmandu, Nepal: Bardo Matrix/Starstreams, 1976. First edition. 8vo. Stitched paper wrappers. Illustrated with a tipped-in frontispiece photograph and woodblock prints. Printed on handmade Nepalese paper. Cover verifax by Maya; frontispiece collage by Dana Young; title page illustration by Sidney Hushour; Bone Ship Passing by Petra Vogt; skull colophon by Lee Baarslag; Kufic design on back cover supplied by Paul Bowles, who wrote the poem specially for the publisher, Ira Cohen, following his wife Jane's death after a long illness. Bowles is said to have considered this publication the most extraordinary-looking book of all his writings, and..... More about Next To Nothing

Chicago, IL: Playboy Press (1976), second printing. 8vo. Qtr. cloth. 310pp. SIGNED, inscribed, and dated (1985) by Honey Bruce on the front free endpaper. The lurid autobiography of Lenny Bruce's "red-haired shiksa goddess… possibly the most shockingly intimate and most frankly erotic woman's story of even our liberated time" (jacket blurb). Very Good plus in dw. with two short, closed tears to top edge of upper panel. More about Honey. The Life and Loves of Lenny's Shady Lady

London: Pluto Press, 1978. First edition. Wrps., 96pp. SIGNED by Julie Burchill and Tony Parsons on the half-title page. The authors' first book, its title taken from a line in "Horses" by Patti Smith. "Handle with caution; the authors come not to praise rock but to bury it" warns the back cover blurb. Lower edges damp-stained; lettering to spine slightly faded; o/w Very Good plus. More about The Boy Looked at Johnny. The Obituary of Rock and Roll

NY: Random House, 1990. First edition. Qtr. cloth and black paper covered boards decorated with three red stars. 237pp. B/w photo-illustrations throughout. Briefly inscribed and SIGNED by Corman on the title page. The filmmaker's entertaining autobiography, incorporating personal reminiscences from many of those who worked with him, among them John Sayles, Jack Nicholson, Vincent Price, Francis Coppola, William Shatner, Peter Bogdanovich, Bruce Dern, Peter Fonda, and Martin Scorsese. Near Fine in dw. More about How I Made a Hundred Movies in Hollywood and Never Lost a Dime

14x9cm. Printed black on white card stock. Blank verso. Artwork by Genesis P-Orridge, who named Christine Newby 'Cosmosis' after first seeing her at a party at Hull University in late 1969. The name was soon shortened to Cosey, and she adopted her full name of Cosey Fanni Tutti in 1972 (after a letter addressed to her from Robin Klassnik). The Cosmosis card was later handed out in a variant edition featuring a printed text added to the verso during COUM's 'Ministry of Antisocial Insecurity' action at the Ferens Gallery in Hull (January 1973). Faint..... More about Cosmosis card, c. 1971/72

White paper stock. 25.4x20.3cm. One side illustrated with a collage by Genesis P-Orridge, printed in green. The other side, printed in black, lists various genres and titles of works, headed by P-Orridge's statement: "Coum decompositions involve at least all of the following or any combination thereof being evolved to suit each situation and each set of references they meet. Coumpletely independent projects can be accepted as coumissions on request based on multiple skills." Old central horizontal fold and one faint vertical crease, o/w Very Good plus. More about Coum Transmissions. A double-sided publicity flyer designed to solicit bookings, 1972

An original flyer announcing a COUM production "coumissioned and coumceived for the wonderful Oval House Theatre" in Kennington, London, March 1974. Printed in black on white paper stock, recto only. 29.6x21cm. Designed by Genesis P-Orridge. The performance was the first COUM action to involve nudity, and incorporated a section featuring Cosey Fanni Tutti as a 'glamour' model being photographed by a lecherous snapper, played by Foxtrot Echo. Another photographer, Peter Christopherson, introduced himself to COUM during their lunch in the theatre's cafeteria and asked if he could take photographs of the show that evening. They immediately..... More about COUMing of Age

London: Knullar (Publishing, Printing & Promotions) Ltd., 1969. First edition. 4to. Yellow card wrps., printed in black, bound with staples and black tape. Unpaginated (44pp.). Features a selection of cartoons by Dean, together with short poems by Libby Houston, Pete Brown, Alan Jackson, Spike Hawkins, Johnny Byrne and Roger Jones. The book's publisher, Knullar (possibly standing for 'Karmic Neo-Universal League for Liberty And Reality'), was registered in August 1968 as the publisher of IT, the underground newspaper Dean provided artwork for from its inception in October 1966. Light rubbing and faint creasing to wrappers..... More about Black Dog

Toronto: McClelland and Stewart Ltd., 1964. First edition. 8vo. Black cloth; map endpapers. 312pp. Two 16pp. photo-inserts. The author's first book, written after her investigations into the activities of the Freedomite leader Stefan Sorokin in Uruguay in 1958 and subsequent years spent in Freedomite research. The Freedomites were a religious faction who split away from the Doukhobors, a Spiritual Christian religious group of Russian origin, around 1902 in Saskatchewan, Canada. They emphasised traditional Russian communal living, resisted external regulation, conducted bombing campaigns and sometimes burned their own money and possessions while protesting nude in public. Holt's..... More about Terror in the Name of God: The Story of The Sons of Freedom Doukhobors

Paris: Eric Losfeld, nd. (c. 1972). 4to. Wrps., 103pp. Illustrated throughout. A catalogue of The Arturo & Vera Schwarz Collection (262 items) comprising all but four of Duchamp's graphics, all his layouts and covers for books, catalogues and magazines, all the signed and numbered editions of his writings, and all of his readymades and sculptures. Texts in English. Near Fine. More about Marcel Duchamp: 66 Creative Years From the First Painting to the Last Drawing

21.5x27cm. Illustrated with a photograph of Marion Brown, a mandala-like drawing and Egyptian hieroglyphs. Verso prints quotes from LeRoi Jones, Joe Pinelli, Guy Ropelowicz, and AB Spellman, and provides Brown's New York City address. Slightly edge-torn, o/w Very Good. More about A double-sided flyer promoting 'New Music' by the Marion Brown Quartet and his recordings on...

London: Cape, 2001. First edition. 8vo. Black boards. 422pp. SIGNED by the author on the title page: "All the very best Mick Farren '06". An engaging, self-deprecating account of his career in the underground by the "dope-fiend, political, ex-rock star and multi-arrested freak leader who don't want to lead no-one." The book's title derives from Bob Dylan's snappy retort in D.A. Pennebaker's film, 'Don't Look Back', after Albert Grossman informs him that the English press has labeled him an 'anarchist'. Fine in dw. More about Give the Anarchist a Cigarette

32mo. Stapled wrps., 32pp. Illustrated. The scarce publicity programme for the New Cinema Club's Forbidden Film Festival, intended by its organisers "to bring the film makers face to face with the people who decided their work should not be shown" (ie. the British Board of Film Censors). The Festival opened with 'The Trip' (refused a certificate by the BBFC) and included footage of the Living Theatre ('The Brig'), as well as screenings of Andy Warhol's 'The Chelsea Girls', Kenneth Anger's 'Scorpio Rising', and an 'All-Night Orgy of New Underground Movies' that included films by James Broughton..... More about FORBIDDEN FILM FESTIVAL. London: New Cinema Club, 1969

NY: Fuckpress, nd. (1962). Mimeographed sheet of yellow paper. Illustrated with Ed Sanders' rendition of the Egyptian goddess Wadjet, drawn by stylus on stencil. The flyer later appeared as People's Exhibit #1 for the prosecution in the Peace Eye/Fuck You trial in June 1967 (the Peace Eye Bookstore was raided by police in December 1965), the case for which rested on the proscription of advertisements for hardcore pornography. Sanders was ultimately acquitted of all charges. Near Fine. More about Original flyer announcing "FUCK YOU/a magazine of the ARTS promoting pornography thru its...

NY: Abbeville, 1987. First edition (with superior binding to later printings). Folio. Black cloth, embossed. 516pp. Dustwrapper design by Wes Wilson. SIGNED at the time of publication by poster artists Stanley Mouse, Alton Kelley, Victor Moscoso, David Singer, Jim Phillips, Mark T. Behrens, John Seabury, Robert Bennett, Mark Barbeau, and James Stark, along with the author, Paul Grushkin, and photographer Jon Sievert. Reproduces more than 1500 posters in full-colour, plus handbills, tickets, ephemera, etc. Especially strong on the psychedelic years in San Francisco, 1965-71, including a complete listing of the Family Dog and 'Bill Graham Presents'..... More about The Art of Rock. Posters from Presley to Punk

No place (White Plains, NY), no publisher stated: no date. (1957). 8vo. Green card wrappers printed in black. Three sheets of buff colour paper, each centrally folded, stitched into black card affixed internally to wrappers. 12pp., incl. 1pp. illustration. One of only 24 numbered copies issued hors commerce. Prints the first part of Heliczer's absurdist play: its cast features five characters - Henry James, Bitch Griever, Drummer, Isoud, and Café Keeper - the costumes of whom are described in the mise-en-scène. The play's second part appeared in Accent (Spring 1958), and the complete (?)..... More about The Tomb of Henry James Diferencia 1

Paris: The Dead Language, 1959. First edition. Stapled printed wrps. (24pp.). Printed letterpress. Due to insufficient 'D's in the letterpress, 'COULD' appears as 'COUL' in the cover title (Harold Chapman remembers that both the printing press and the fonts were given to Piero Heliczer by a psychiatrist). Heliczer's first book, a collection of six poems, with an avant propos by Robert Graves in which he likens Heliczer's work to "a translation of poems from a foreign language, which I would like to understand" ("an indication", Anselm Hollo later noted, "of the limited range of the older poet's ear")..... More about You Could Hear The Snow Dripping and Falling Into The Deers Mouth

NY: William Morrow, 2002. First edition. Qtr. cloth. 260pp. Photo-illustrated throughout. SIGNED by Barger on the half-title page. Barger's true stories of the outlaw biker life, including appearances from Steve McQueen and David Crosby, among others. Fine in dw. More about Ridin' High, Livin' Free: Hell-Raising Motorcycle Stories

London: no publisher stated, 1965. First edition. Lge. 8vo. Silver wrappers, lettered and decorated in black. Unpaginated (24pp.). Poems by Horovitz illustrated with b/w photographs of sculptures in perspex by Maria Simon. Horovitz has added a poem in holograph ink to the inside of the lower wrapper of this copy, embellished with a small drawing of a cat, dated 1965. In addition, loosely inserted is an autograph letter signed (undated) and a holograph note (dated April 1963) to Fred Hunter (Stream Records), together with a New Departures subscription card with address amended by Horovitz. Silver wrappers..... More about Strangers

An original flyer announcing the first Jazz Punk Bonanza, held at the London Musicians Collective between July 25-27 (1980). Lists appearances by lo-fi DIY/improv bands Alterations (David Toop, Peter Cusack, Terry Day and Steve Beresford); Dislocation Dance; Spurtz (Corky, Libby and Mac); Nightingales (Robert Lloyd et al); The Door and The Window (gig enquiries were directed to Nag, aka The Door); Reptile Ranch; Low Flying Aircraft; Take It; Instant Automatons; and Pretentious Art Forms. Old central vertical and horizontal folds; slight handling wear; small ink sketch to verso; o/w a Very Good copy of an ephemeral..... More about JAZZ PUNK BONANZA

The first photograph shows Jones in the back of a Rolls-Royce alongside 'Stash' de Rola leaving West London Magistrates Court the day after the bust. The second shows Jones in the back of a Rolls after his appearance on December 12 in the court of the Lord Chief Justice for his appeal. Initiated in the previous December with the arrest of John 'Hoppy' Hopkins, the police raid on Jones's apartment on May 10 formed part of an orchestrated attack by the tabloid press and the establishment on the 'underground' and the drug use of its most prominent figures..... More about Two original 8x10 press photographs together with two exceedingly rare stickers relating to Brian...

London: Academy Editions, 1970. First edition, second impression. 4to. Wrps., 80pp. Printed on different coloured sugar paper in different coloured inks. SIGNED on the title page by co-editor Graham Keen (photographer and former art director of International Times). Features the work of all the major artists working in the English underground (Martin Sharp, Hapshash & The Coloured Coat, Ed Barker, Mal Dean, Muzz Murray, The Fool et al), and includes examples of their work for Oz, It, Gandalf's Garden, boutiques and clubs, and numerous concert posters. Faint reading creases to spine; publisher's logo at..... More about Underground Graphics

NY: Viking, 1990. First edition. Sq. 8vo. 216pp. Well-illustrated in colour and b/w throughout, including more than 150 colour photographs by Ron Bevirt. SIGNED by Ken Kesey and fellow Prankster Ken Babbs on the first prelim. page (alongside a colour photograph of them together). Kesey's reexamination of the Merry Pranksters' epic, acid-fuelled coast-to-coast 1964 voyage in their psychedelic bus, featuring verbatim transcripts of Neal Cassady monologues. Fine in dw. More about The Further Inquiry

Original psychedelic poster designed by Marijke Koger, 1967. Printed in red on thin yellow paper stock (corresponding to the Trigram Press second edition but lacking publisher's copyright line). 57x44cm. Old corner pinholes, with faint evidence of old tape removal to corners of verso; brown splash dots to verso which have partially bled through to recto at upper right section; trivial edge wear; o/w Very Good plus. More about Love Dylan

Paris: Le Terrain Vague, April 1967-March 1969. Ed. Jean Schuster. 4to. Issues nos. 1-3 and 6-7, perfect bound magazine format, 48pp.-94pp.; issue nos. 4-5, quarto pamphlets, 16pp. each. All issues except no. 4-5 illustrated throughout with drawings, photographs and reproductions of paintings. Contributors include Jehan Mayoux; Joyce Mansour; Pierre Alechinsky; Philippe Audoin; José Pierre; Jean-Claude Silbermann; Annie Le Brun; Marguerite Duras; Herbert Marcuse; Gérard Legrand; Guy Cabanel; Ted Joans; Claude Lévi-Strauss; Alain Joubert; Mimi Parent; Petr Král; Adrien Dax; Victor Brauner; Jorge Camacho; Toyen; the editor, and many others. The last review of any consequence from..... More about L'ARCHIBRAS, Le Surréalisme Nos. 1-7 (all published

Paris: Jean-Jacques Pauvert, October 1956-Spring 1959. Ed. André Breton. Sq. 8vo. Wrps. (pagination varies). Each issue lavishly illustrated (first issue contains colour plates), printed in different colour inks on different papers, with varied typefaces throughout, plus inserts. Covers by Duchamp, Bellmer, Arp, Molinier, and Gabriel Max. Texts by Breton, Joyce Mansour, Jean Schuster, Robert Lebel, Jean-Jacques Lebel, Benjamin Péret, Octavio Paz, ELT Mesens, Hans Bellmer, Theodor Spoerri, José Pierre, and many others, with reproductions of work by Léonora Carrington, Joseph Crépin, Wolfgang Paalen, Man Ray, Toyen, Duchamp, Jean-Jacques Lebel, Bellmer, Adolf Wolfli, Robert Lagarde et al...... More about LE SURRÉALISME, MÊME #1-5 (all published

London: André Deutsch, 1968. First edition. 8vo. 207pp. Dw. photographs of Michael Abdul Malik by Horace Ové. A bildungsroman ghosted by John Stevenson, aka Marcus van Heller, erstwhile Olympia Press author and business manager for Alexander Trocchi's Merlin magazine. The book was published in Spring 1968, but since Malik was in prison (the first person convicted under the Race Relations Act) it received little publicity and, apart from Colin MacInnes in the New Statesman, few positive reviews. Very Good plus in slightly rubbed and edge-worn dw., with red title lettering to spine slightly faded. More about From Michael de Freitas to Michael X

London: George Newnes Ltd., January-May, July, August, October-December, 1966. Ed. Dennis Hackett. Pagination varies (96pp.-216pp.). Illustrated throughout in colour and b/w. Features include 4pp. on Sharon Tate; Parisian PVC fashion; Andrew Loog Oldham, with portrait by David Bailey; Hugh Hefner; James Fox by Michael Wynn-Jones (3pp.); short stories by Patricia Highsmith, V.S. Pritchett, Harold Brodkey, William Sansom, John Updike, and Ann Quinn; DIY sex books; 'Cinderella: Gone to Seed', a 6pp. colour spread by Alan Aldridge illustrating a story by Molly Parkin; Richard Burton and Liz Taylor; Jessica Mitford; 'Are Northern Women Any Different? Are Southern Women Any..... More about NOVA. A broken run of 9 issues from 1966

London: Sanctuary Publishing, 1999. First edition. Sm. folio. Wrps., 176pp. Illustrated throughout with numerous colour reproductions. Charts the early artistic influences on poster designers, documents the American and British poster art scenes, and offers advice on collecting psychedelic posters. Near Fine. More about High Art: A History Of The Psychedelic Poster

Illustrated with Pettibon's Warren Beatty drawing and porno text. 28x21.6cm. Light handling wear, o/w Near Fine. More about An original flyer announcing an appearance by Pettibon's band, Sur Drone, along with Trillion...

NY: Harmony Books, 1991. First US edition. 348pp. + two 8pp. photo-inserts. Strong on the early London scene, with this copy inscribed and SIGNED by the author on the front free endpaper to John 'Hoppy' Hopkins, the promoter of Pink Floyd's first gigs at the London Free School and UFO. Hoppy is frequently quoted in the book, and a brief ink amendment in the margin by him corrects the information on DNA Productions, a short-lived venture he co-founded with Pete Jenner, Ron Atkins and Alan Beckett in Spring 1966. Light shelf-wear, o/w Near Fine in dw. More about Saucerful of Secrets: The Pink Floyd Odyssey

Croydon: Suburban Press, c. 1972/73. An original, unused gummed sticker designed by Jamie Reid, one of a series of stickers produced by Suburban Press during the early 1970s. The slogan resurfaced in 1977 in Reid's poster for the Sex Pistols single 'Holidays In The Sun', which itself used an image that had originally appeared in 'Leaving the 20th Century', a Situationist anthology for which Reid provided the graphics (item #142). Printed in black on white paper with adhesive to verso. 5x14cm. Near Fine. More about Keep Warm This Winter Make Trouble

An original poster designed by Jamie Reid for the Sex Pistols single. London: Virgin Records, 1977. Screenprint in black and yellow on white stock. 70x100cm. The image of the beach scene was taken from Christopher Gray's Situationist anthology, 'Leaving the 20th Century' (item #142), the graphics for which had been provided by Reid, with song lyrics added in the form of speech bubbles and the reappearance of the Suburban Press slogan, 'Keep Warm This Winter Make Trouble' (item #186). Creasing with associated rubbing to top left-hand corner; superficial creasing along left-hand edge and minor edge-wear; o/w Very Good plus. More about Holidays In The Sun

London: Polytantric Press, nd. (1977). Sm. 8vo. Wrps., 62pp. Front cover image of Johnny Rotten pierced with an actual safety pin, as issued. Written as a homework project by 14-year-old Gideon Sams and now regarded as the first punk novel, 'The Punk' was published in an edition of 500 copies by Jay Landesman's short-lived Polytantric Press. Landesman subsequently sold the rights to Corgi, who issued it later in the same year in a slightly smaller format and with a different cover image and no safety pin. The author, stepson of Craig Sams (who set up the..... More about The Punk: a novel

NY: Harry N. Abrams, Inc., 2004. First edition. Tall 4to. Pictorial boards with printed wraparound paper band. 240pp. Illustrated with 155 crime scene and forensic photographs culled from the LAPD archive dating from the 1930s to the 1960s, accompanied by descriptive captions from police logs and original newspaper accounts. Foreword by Chief of Police, LAPD, William J. Bratton; introduction by James Ellroy (one of the first photographs shows the crime scene from the 'Black Dahlia' case); essay by Tim B. Wride. Notorious crimes featured include the Onion Field murder, the unsolved death of silent..... More about SCENE OF THE CRIME: PHOTOGRAPHS FROM THE LAPD ARCHIVE

London: Contemporary Records, (1956). LP record (LAC 12107). Sleeve photo and design by William Claxton (showing the gas turbine Firebird II at GM's Motorama, 1956). Collects eleven compositions by Tatro, each one orchestrated by him, featuring soloists Lennie Niehaus on alto sax, Bill Holman on tenor and Shelly Manne on drums. Tatro played tenor sax with Stan Kenton while still in his teens, studied with Arthur Honegger and Darius Milhaud in Paris, and led jazz bands in Europe in the late 1940s. He returned to the US in the 1950s and released 'Jazz For Moderns', his..... More about Jazz For Moderns

NY: Jeff Goldberg, Summer 1977-Spring 1978. Formats vary. No. 1, quarto, stapled, 8pp.; no. 2 tabloid, folded, 20pp.; no. 3 tabloid, 20pp. A complete run of this satirical travel-themed art magazine, edited and conceived by Jeff Goldberg and Victor Bockris, together with Bobbie Bristol, Seaver Leslie and Erica Lennard. i) the first issue, printed in an edition of 1000 copies, features a front cover photograph of David Hockney by Christopher Makos, accompanying a spoof travelogue on Australia by Victor Bockris. Overleaf prints four photographs taken by William Burroughs in 1964 en route from Tangiers to New..... More about TRAVELER'S DIGEST #1-3 (all published

NY: Rizzoli, 2009. SIGNED deluxe first edition, limited to 400 copies, enclosed in a clamshell box featuring type design in gold from a rare Velvet Underground poster. Lge. 4to. (32x25cm.). Boards decorated with pearlescent lettering. 320pp., with 280 illustrations in colour and b/w. Edited by Johan Kugelberg. Foreword by Lou Reed, preface by Vaclav Havel, and contributions from Maureen Tucker, Sterling Morrison ("Going Back in Time to Piero Heliczer", 3pp.), Doug Yule (from 1996), and Jon Savage, plus contemporary essays by Lester Bangs, Richard Meltzer, John Wilcock (including an interview with Lou Reed), and others. Photographs..... More about The Velvet Underground: New York Art