NEW ARRIVALS: P-Orridge, Punk, Processed World

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Item #41412 ALL THE YOUNG DUDES Vol. 1 #6 (stated, in fact the first issue of only two published

1.

ALL THE YOUNG DUDES Vol. 1 #6 (stated, in fact the first issue of only two published).

Clifton, NJ: Lower Third Enterprise, nd. (c. June 1976). Folio. Wrps., 20pp. Ed. Nick Latzoni and Rick Jones. Early, text-free photo-magazine, documenting the nascent New York punk scene (its textured paper front cover, adorned with a colour close-up of Joey Ramone, is an all-time classic). Other b/w photographs (taken by Latzoni, Jones, Mick Benson, Brad O’Conner, and Patti Young) feature all four members of the Ramones (the centrefold depicts Joey and Dee Dee); Mick Ronson (both the magazine’s title and imprint pay tribute to David Bowie); Blondie; the New York Dolls; Television; Wayne County; Talking Heads; Tuff..... More about ALL THE YOUNG DUDES Vol. 1 #6 (stated, in fact the first issue of only two published

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Item #41413 Punk. Isabelle ANSCOMBE

2.

Punk.

NY: Urizen Books, 1978. First US edition, enlarged and re-titled from the original UK edition, “Not Another Punk! Book”, published by Aurum Press earlier in the same year. 4to. Wrps., 128pp. Pink wrappers printed in black. Imaginatively designed by Terry Jones (then art director at British Vogue, later co-founder of i-D), with distinctive typography and striking graphics; copiously photo-illustrated. This edition has an additional text by Dike Blair and photographs of the American punk scene (32pp.), among them images by Marcia Resnick of Teenage Jesus and The Jerks, members of the Contortions, and the Cramps; Joey..... More about Punk

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Item #41414 Homage to Claire Churchill. J. G BALLARD

3.

Homage to Claire Churchill.

Advertiser’s Announcement. Np.: self-published, nd. (1967). Photo-illustrated card. 26.7x18.5cm. Verso blank. The first in the series of five Advertiser’s Announcements Ballard created and placed at his own expense in Ambit magazine between 1967 and 1971. Published on the back cover of issue no. 32 (and later in New Worlds in October 1967), it features John Blomfield's close-up photograph of Claire Churchill (Walsh), Ballard’s then girlfriend (later life partner), who had recently been introduced to Ballard by Michael Moorcock. Along the lower edge, a printed text reads: “Homage to Claire Churchill, Abraham Zapruder and Ralph Nader..... More about Homage to Claire Churchill

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Item #41415 A Neural Interval. J. G BALLARD

4.

A Neural Interval.

Advertiser’s Announcement. Np.: self-published, nd. (1968). Photo-illustrated card. 25.4x18.5cm. Verso blank. The third in the series of five Advertiser’s Announcements Ballard created and placed at his own expense in Ambit magazine between 1967 and 1971. Published on the back cover of issue no. 36 (and later in New Worlds in December 1968), it features a magazine photograph portraying a woman on a boat dressed in bondage gear, sourced from the collection of Eduardo Paolozzi, an artist whose work Ballard first encountered at the ICA in 1956. A brief text to the upper left corner reads..... More about A Neural Interval

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Item #41416 ICA Eventsheet (London: February 1969). J. G BALLARD, contributes

5.

ICA Eventsheet (London: February 1969).

Lilac paper broadsheet, folded centrally to make 4pp. Prints the first publication of Ballard’s short story, “Crash!”, a pseudo-scientific report subsequently included as a chapter ('condensed novel') in “The Atrocity Exhibition” (1970). Printed in black over an indistinct photograph in red depicting two figures and the mangled wreckage of a '60s Chevy. Also: cover image of a “Scene from a Happening by Peter Dockley”; news of future Happenings involving Stuart Brisley, John Latham and Cornelius Cardew; upcoming concerts by Pete Brown, Ron Geesin, and the Spontaneous Music Ensemble; films by Steve Dwoskin; a one-man show by..... More about ICA Eventsheet (London: February 1969

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Item #41417 Re/Search No. 8/9. J. G BALLARD

6.

Re/Search No. 8/9.

SF: Re/Search Publishing, 1984. First edition. 4to. Glossy pictorial wrps., 176pp. Illustrated throughout. SIGNED by Ballard on the copyright page. Contains interviews with Ballard by Andrea Juno and Vale, and Graeme Revell; an interview with Martin Bax, founding editor of Ambit; extracts from Ballard’s fictional works, including “Crash”, “The Atrocity Exhibition”, “Why I Want To Fuck Ronald Reagan”, and “Notes Toward a Mental Breakdown”; a selection of non-fiction, including “Things I Wish I’d Known at 18”, and “Mythmaker of the 20th Century: William S. Burroughs”; biographical notes (“From Shanghai to Shepperton”); critical essays by David Pringle..... More about Re/Search No. 8/9

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Item #41418 Crash Injuries. The Integrated Medical Aspects of Automobile Injuries and Deaths. J....

7.

Crash Injuries. The Integrated Medical Aspects of Automobile Injuries and Deaths.

Springfield, IL: Charles C. Thomas, 1960. First edition. 8vo. Green boards, with gilt lettering to spine. 1080pp. Illustrated throughout with photographs and diagrams. A pioneering work on the mechanics of injury to the occupants of cars in road traffic accidents, including studies of experimental and simulated crashes, and details of the types of injury which result from them. One of JG Ballard’s favourite books, and a major source of inspiration for “Crash” (1973). In a 1985 interview with David Pringle, he explained that it “deals with every conceivable aspect of the automobile crash and its effects..... More about Crash Injuries. The Integrated Medical Aspects of Automobile Injuries and Deaths

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Item #41419 BIG STAR #2-3 (Buffalo, NY: August 1977-Spring 1978

8.

BIG STAR #2-3 (Buffalo, NY: August 1977-Spring 1978).

4to. 36pp. + 24pp. (incl. covers). Illustrated (incl. photos by Richard Robinson, Trudie Arguelles, and others). The penultimate and final issues of this short-lived, Alex Chilton-inspired music magazine, established by Bernard Kugel to champion punk/new wave bands, among them Blondie, Talking Heads, the Cramps, the Damned, Flamin’ Groovies, Dead Fingers Talk, and the Ramones, all of whom feature in articles or interviews in the two issues here. Kugel also played guitar with local band, the Good, and appeared with the Jumpers during their debut performance at Buffalo State in February 1978, later producing and releasing their..... More about BIG STAR #2-3 (Buffalo, NY: August 1977-Spring 1978

Item #41420 Sex War Sex Cars Sex. Derek BOSHIER

9.

Sex War Sex Cars Sex.

Colour offset lithograph. 1966. 58x44.5cm. Edition of 100 numbered copies, SIGNED by the artist, this one out-of-series, designated ‘A/P’ (artist’s proof). An anti-Vietnam war collaboration between Boshier and poet Christopher Logue, featuring non-linear comic book-style panels, resembling the work of Roy Lichtenstein, and speech bubbles expressing the psychosexual correlations between sex, violence, automobiles and death, evoking the writings of Sigmund Freud and anticipating those of JG Ballard - “Please God - let me die naked in a fast car crash with the radio turned full on!”. Trivial wear to extremities, o/w Fine. More about Sex War Sex Cars Sex

Item #41421 BOY. Blackmail including the Legendary Kitsch-22 Designs

10.

BOY. Blackmail including the Legendary Kitsch-22 Designs.

King’s Road, London: BOY, 1980. First edition. 8vo. Wrps., with plastic spiral binding, unpaginated (50 leaves, printed rectos only). Offset-litho and colour Xerox. Catalogue designed by John Dove and Molly White of KITSCH-22, who designed and produced much of the BOY collection of punk-inspired bondage trousers, T-shirts and jeans featured in it. Illustrated throughout with photographs by Sheila Rock and Derek Hutchins, some of them reproduced in colour Xerox (a relatively new technology in the UK at the time), featuring more than 18 different models, among them teenager Sadie Frost. Introductory texts by John..... More about BOY. Blackmail including the Legendary Kitsch-22 Designs

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Item #41512 Teenage Lust. Larry CLARK

12.

Teenage Lust.

Np.: self-published, 1983. First edition. 4to. Photo-illustrated stiff card wrps. Unpaginated. SIGNED by Larry Clark on the title page. The Oklahoman filmmaker and photographer’s second book, a pictorial “autobiography” (including a 27pp. account of drug use, sexual encounters, violence, and run-ins with the police), featuring family photos, numerous pictures of teenage drug use and teenage sexual activity, and young male hustlers in Times Square, New York City. Minor rubbing to spine extremities; very light crease to top corner of upper wrapper; o/w Near Fine. More about Teenage Lust

Item #41424 COFFIN’ BLOOD No. 2 (London: July-August 1979

14.

COFFIN’ BLOOD No. 2 (London: July-August 1979).

4to. 8 sheets (incl. cover), printed rectos only, stapled at top corner. The second issue of Mike Weller’s ‘zine, subtitled ‘ A Journal of Addiction to Comicks and the Modern World’ and a ‘Punk Art Special’. Includes a 3pp. Dr. Narcos cartoon strip. Weller, whose work had previously appeared in Oz magazine, Cozmic Comics, and numerous small press publications since, is also known for designing the sleeve for the American release of Bowie's album, “The Man Who Sold the World” (Mercury, 1970). Near Fine. More about COFFIN’ BLOOD No. 2 (London: July-August 1979

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Item #41425 An original poster announcing an exhibition of Bruce Conner’s photographs...

15.

An original poster announcing an exhibition of Bruce Conner’s photographs documenting the punk scene at the Mabuhay Gardens, San Francisco, 1978.

Palo Alto, CA: Smith Andersen Gallery, February 19-March 22, 1986. Printed in b/w on glossy paper stock. 58x15.5cm. Illustrated with Conner’s photograph of torn Mabuhay flyers stapled to a telegraph pole in San Francisco. Old central horizontal crease; old corner pinholes, with associated wear to upper corners; tape residue to verso and some creasing. Fair. More about An original poster announcing an exhibition of Bruce Conner’s photographs documenting the punk...

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Item #41426 Two large xeroxed flyers (35.5x21.6cm.). Bruce CONNER

16.

Two large xeroxed flyers (35.5x21.6cm.).

i) An original flyer announcing the New Wave Music Film Festival at the Roxie Cinema, San Francisco, October 9, 1979. Illustrated with collage artwork. The event showcased music films and concert footage, some of it supplied by Target Video, a San Francisco-based production group that documented the local punk and new wave scenes, as well as for “Mongoloid”, Conner’s short film based on the song by Devo. Fine; ii) an original flyer announcing a screening of eight films by Conner at the Cento Cedar Cinema, San Francisco, August 14, 1982, including “America is Waiting” (“the latest..... More about Two large xeroxed flyers (35.5x21.6cm

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Item #41427 Coum Your Local Dirty Banned. COUM

17.

Coum Your Local Dirty Banned.

An unused sticker, c. 1972, printed in red on a black ground (there was also a variant in green on black). 4.2x9cm. Bears an illustration of a limp penis formed out of the word ‘COUM’, and the slogan ‘Your Local Dirty Banned’. An early logo, designed by Genesis P-Orridge and used for publicity and to solicit bookings. Near Fine. More about Coum Your Local Dirty Banned

Item #41428 Coum and Busk. COUM

18.

Coum and Busk.

A flyer from 1972 inviting “anyone who wants to join in should coum along” to a “Grand Busk in aid of Rag Week taking place around the [Hull] town centre” on “Saturday the 17th of June”, adding that “COUM - Your Local Dirty Banned… will also be there to make sure there are no dull moments.” 25.4x20.3cm. Duplicated on lilac-colour paper from Genesis P-Orridge’s original typescript. Lightly creased, o/w Very Good plus. More about Coum and Busk

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Item #41429 Coum Transmissions. COUM

19.

Coum Transmissions.

A double-sided publicity flyer, designed to solicit bookings (1972). White paper stock. 25.4x20.3cm. One side illustrated with a collage by Genesis P-Orridge, printed in green. The other side, printed in black, lists various genres and titles of works, headed by P-Orridge’s statement: “Coum decompositions involve at least all of the following or any combination thereof being evolved to suit each situation and each set of references they meet. Coumpletely independent projects can be accepted as coumissions on request based on multiple skills.” Near Fine. More about Coum Transmissions

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Item #41430 World Premiere of The Alien Brain. COUM

20.

World Premiere of The Alien Brain.

A flyer announcing the premiere of a work commissioned by the Yorkshire Arts Association and performed at the Hull Arts Centre, July 2, 1972. 30x21cm. Printed in blue on white paper stock. Designed by Genesis P-Orridge. In “Wreckers of Civilisation”, Simon Ford describes the work as “the first of COUM’s multi-media ‘happenings’ utilising techniques for all the senses, from flashing lights for the eyes to taped noises for the ears.” The COUM house at 8-9 Prince Street in Hull was also known as the Alien Brain during this period. Slight creasing to corners, o/w Very Good plus. More about World Premiere of The Alien Brain

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Item #41431 L’Ecole De L’Art Infantile. COUM

21.

L’Ecole De L’Art Infantile.

Original postcard with b/w photographs of the winners of the first “Baby’s Coumpetition” (Sarah Ferret and Hugh Bushell), Oxford, May 1973. 13.9x8.7cm. The event was the culmination of P-Orridge’s fascination with infantilism and the fictitious school of art he formed in 1972 with Cosey Fanni Tutti and Opal L. Nations. Co-organised by P-Orridge, Nations and Robin Klassnik, the competition took place at Oxford University during its May Festival in 1973. Verso slightly rubbed, o/w Near Fine. More about L’Ecole De L’Art Infantile

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Item #41432 Original poster entitled COUM (c. May 1975). COUM

22.

Original poster entitled COUM (c. May 1975).

Screenprinted in black on white stock. 72x47.6cm. The large photographic image depicts P-Orridge and Cosey Fanni Tutti naked, the former strapped and chained to St. Andrew’s cross, covered in fake vomit and feathers, the latter in straps with whip and chains. The poster resulted from a restaging at their Martello Street studio of a crucified P-Orridge being whipped by Tutti, a scene from the ‘COUMing of Youth’ show at the Melkweg, Amsterdam, in March 1975. It was photographed by Peter Christopherson using a large format Mamiya borrowed from Hipgnosis, the design collective he’d joined a year..... More about Original poster entitled COUM (c. May 1975

Item #41433 Wreckers of Civilisation: The Story of Coum Transmissions & Throbbing Gristle....

23.

Wreckers of Civilisation: The Story of Coum Transmissions & Throbbing Gristle.

London: Black Dog Publishing, 1999. First edition. Large 8vo. Wrps., (336pp.). Foreword by Jon Savage. Photo-illustrated throughout. Taking its title from Tory MP Nicholas Fairbairn’s outburst (headlined in The Daily Mail, October 19, 1976), Ford’s history provides a detailed narrative of COUM’s history, beginning with its conception in Hull in 1969, the landmark ‘Prostitution’ show at the ICA that provoked Fairbairn’s diatribe, and its metamorphosis into Throbbing Gristle and their eventual split in 1981. The final section prints a chronology of COUM and TG actions, concerts and exhibitions, and a discography, filmography and selected bibliography. Near Fine (spine uncreased). More about Wreckers of Civilisation: The Story of Coum Transmissions & Throbbing Gristle

Item #41435 An original poster announcing Dead Kennedys at the C.O.D. (Come on Down) club,...

25.

An original poster announcing Dead Kennedys at the C.O.D. (Come on Down) club, Chicago, September 17-18, 1981.

Printed in black on thin pale brown cardstock. Illustrated with an outline of a human gun target. 45x28.2cm. Presented by local promoter Eric Nihilist and MC’d by underground DJ (and former minister of propaganda for the White Panthers), Bob ‘Righteous’ Rudnick, the concerts, now regarded as the birth of the Chicago hardcore punk scene, brought Dead Kennedys together with Hüsker Dü, whose “Land Speed Record” album, recorded live in Minneapolis a month before, was subsequently issued on Jello Biafra’s Alternative Tentacles label. The lineup also featured the Effigies, Naked Raygun, and Strike Under, all of them..... More about An original poster announcing Dead Kennedys at the C.O.D. (Come on Down) club, Chicago, September...

Item #41436 Two flyers. DEAD KENNEDYS

26.

Two flyers.

i) An original flyer announcing Dead Kennedys, Phranc (formerly of Nervous Gender), 7 Seconds and Mojo Nixon at the Freeborn Hall, UC Davis, February 21, 1986. Illustrated. Printed in black on mustard colour stock. 21.6x14cm. Following their recent decision to split up, this was Dead Kennedys’ final live show with their original lineup. Old corner tack holes, with wear to lower right corner; slight creasing; old ink phone numbers to verso; o/w Good; ii) an original flyer announcing Dead Kennedys, the Descendents, Social Unrest and Bach Knoch at the Amerikan [sic] Victorian Museum, Nevada..... More about Two flyers

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Item #41437 Return of the Repressed: Destroy All Monsters 1973-1977. DESTROY ALL MONSTERS

27.

Return of the Repressed: Destroy All Monsters 1973-1977.

Brooklyn, NY: Picturebox/LA: Prism, 2011. 4to. Wrps., 312pp. Edited by Mike Kelley and Dan Nadel. SIGNED by Mike Kelley and Niagara on the half-title page, and by Cary Loren and Jim Shaw on the title page (Loren has also added his red hand-stamp). Published on the occasion of an exhibition under the same title held at Prism in West Hollywood between November 19, 2011 and January 7, 2012. Illustrated with over 300 images in colour and b/w, with much of the material previously unseen. Includes an introductory essay by Nicole Rudick, then the Managing..... More about Return of the Repressed: Destroy All Monsters 1973-1977

Item #41438 DESTROY ALL MONSTERS MAGAZINE

28.

DESTROY ALL MONSTERS MAGAZINE.

NY: Primary Information, 2011. First edition. One of 75 numbered copies (from a total edition of 3000), SIGNED by Mike Kelley, Cary Loren, Niagara, and Jim Shaw. 4to. Pictorial wrps., 278pp., printed on different colour paper stocks. Facsimile reprints of all six issues of the Ann Arbor-based noise-art collective’s proto-punk/kitsch/psychedelic magazine (1976-1979), along with remnants from the ‘lost’, previously unreleased seventh issue consisting of a 10x8 photographic print signed by Cary Loren and a small glycine baggie of dirt from God’s Oasis Drive-In Church, the commune where founding members Mike Kelley and Jim Shaw..... More about DESTROY ALL MONSTERS MAGAZINE

Item #41439 FILE Megazine Vol. 3, #4 (Toronto: Art Officiel, Inc., Fall 1977

29.

FILE Megazine Vol. 3, #4 (Toronto: Art Officiel, Inc., Fall 1977).

Folio. Wrps., 80pp. Edited by General Idea (AA Bronson, Felix Partz and Jorge Zontal). Contributing editors Diego Cortez, Jimmy De Sana, Genesis P-Orridge, and Anya Phillips. Colour front cover of Debbie Harry by Jimmy de Sana. The “Punk ‘Til You Puke” special issue, exploring the art/music interface: “In Toronto and New York they fiddled with performance and fled to punk. Art/Rrock ‘n’ Rroll crossover was the original theme of this issue: Throbbing Gristle at the ICA; the Poles at the McLaughlin Gallery; the Dishes and the Talking Heads at A Space; the New York Dolls at the Mercer..... More about FILE Megazine Vol. 3, #4 (Toronto: Art Officiel, Inc., Fall 1977

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Item #41440 Leaving the 20th Century: The Incomplete Work of the Situationist International....

30.

Leaving the 20th Century: The Incomplete Work of the Situationist International.

London: Free Fall Publications, 1974. First edition. 4to. Wrps., 167pp. Illustrated throughout with photographs, documents, détourned cartoon strips and graphics. Reprints 22 texts from Internationale Situationniste, with a preface and afterword by Christopher Gray. Typeset by the Suburban Press and the Wicked Messengers, with graphics by Jamie Reid. For a long time this publication was almost the only source of Situationist texts in English. It became more widely circulated after some of Reid’s graphics were reused in his work for the Sex Pistols in 1977, notably the images of the ‘Nice’ family (p.10, first published in..... More about Leaving the 20th Century: The Incomplete Work of the Situationist International

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Item #41441 JAMMING No. 10 (London: 1980

31.

JAMMING No. 10 (London: 1980).

4to. 43pp., printed in different colours throughout, with multi-colour front cover; side-stapled. Jamming was started by thirteen-year-old Tony Fletcher in 1977, with its first issue limited to 50 copies. By October 1978 the print run had increased to 1000, and between 1979-1984 it was printed and distributed by Better Badges; it folded after 36 issues in January 1986. This issue includes interviews with Delta 5, Girls at our Best!, the Au Pairs, Crass, and the Damned; plus concert reviews; a discussion on DIY recording; a south London venue guide; record reviews (incl. the Fall and the..... More about JAMMING No. 10 (London: 1980

Item #41442 JAMZ #1-5 (Flushing and Jackson Heights, NY: 1971-1972) - all published

32.

JAMZ #1-5 (Flushing and Jackson Heights, NY: 1971-1972) - all published.

4to. Stapled wrps., pagination varies (20pp.-90pp.). A complete run of this prototypical music fanzine, founded by Alan Betrock while he was still an undergraduate at Queens College, City University of New York. i) #1 (nd. [May 1971]). Offset. 20pp. Cover design and drawing by Barbara Winkler. Cartoons by Jerry Kristal. Includes features on Syd Barrett (“pink freud?”); the Pretty Things and Twink; the Flamin’ Groovies (by Leon Lebowitz); record collecting and New York’s record stores; Roger Corman; Jeremy Spencer (with cover photo by Frank Kornelussen); record reviews and news; and “Which Way Rock?”, Alan Betrock’s views..... More about JAMZ #1-5 (Flushing and Jackson Heights, NY: 1971-1972) - all published

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Item #41443 KING MOB ECHO #1-3 (London: 1968-1969

33.

KING MOB ECHO #1-3 (London: 1968-1969).

Sm. folio. First and third issues staple-bound, 8pp. and 12pp. respectively; issue #2 consists of a single sheet folded centrally to make 4pp. Illustrated with photographs, détourned cartoons and old engravings, and pages from like-minded revolutionary publications Black Mask and Up Against The Wall Motherfucker. Taking their name from a slogan daubed on the wall of Newgate Prison during the Gordon Riots of 1781, the King Mob milieu came together in London in 1967, forming around the former English members of the Situationist International, with key figures Christopher Gray, Donald Nicholson-Smith, and Dave and Stuart Wise... More about KING MOB ECHO #1-3 (London: 1968-1969

Item #41444 “It Was Meant To Be Great But It’s Horrible” Confessions: S. Claus 1968. KING MOB

34.

“It Was Meant To Be Great But It’s Horrible” Confessions: S. Claus 1968.

Broadside. Written by Dave Wise and Ian and Diana Clegg, and distributed to shoppers in Oxford Street in London by King Mob during their anti-consumer intervention at Selfridges department store in December 1968. Printed in black on white stock, with Christmas decorative illustrations designed by Dave Wise. 33x20.3cm. Inspired by Black Mask’s prank at Macy’s department store in New York two years earlier, a King Mob contingent of about twenty-five (including Fred Vermorel and Malcolm McLaren) visited Selfridges during Christmas 1968 and, together with an amphetamine-fuelled Ben Trueman dressed as Santa Claus, proceeded to give away free gifts..... More about “It Was Meant To Be Great But It’s Horrible” Confessions: S. Claus 1968

Item #41445 LIVE WIRE No. 10 (London: 1977

35.

LIVE WIRE No. 10 (London: 1977).

4to. 10 duplicated sheets, printed rectos only, stapled at top corner. The tenth issue (of 19) of Alan Anger’s fanzine, featuring a cover feature on the Slits; an interview with Ian Paine, lead singer of the New Hearts; the Nipple Erectors at the Roxy; Captain Sensible interview (continued from previous issue); more. Near Fine. More about LIVE WIRE No. 10 (London: 1977

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Item #41446 LONDON’S BURNING No. 1 (London: January 1977) - all published

36.

LONDON’S BURNING No. 1 (London: January 1977) - all published.

14 quarto duplicated sheets, printed rectos only, stapled at top corner. The “fanzine by a Clash fan for Clash fans… Conceived, partly photographed, put together, and generally masterminded by Jonh Ingham”. The first and only fanzine dedicated to the Clash. “In December 1976, inspired by Sniffin’ Glue… I created London’s Burning as a testament to The Clash. (I saw them play 22 of their first 25 gigs). The best photo-copying shop in London was off Shepherds Bush Green… I ran off enough to create 100 copies. My distribution outlet was Rough Trade. By mutual agreement I...... More about LONDON’S BURNING No. 1 (London: January 1977) - all published

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Item #41447 LONDON’S OUTRAGE (London: c. late November/early December 1976

37.

LONDON’S OUTRAGE (London: c. late November/early December 1976).

16 quarto sheets, printed rectos only, stapled at top corner. The first issue (of two) of Jon Savage’s “response to the energy punk would like to generate”, inspired and influenced by Sniffin’ Glue, pre-punk fanzines Who Put The Bomp and Bam Balam, and the visual work of Claude Pélieu and John Heartfield. Contains a lengthy text on the cultural impact of punk: “the final vomit of a rotted society.” London’s Outrage was produced in two days in an initial run of 50 xeroxed copies, followed by 1000 printed copies (as here). Distributed via Rough..... More about LONDON’S OUTRAGE (London: c. late November/early December 1976

Item #41448 No Irish, No Blacks, No Dogs. The Authorized Autobiography/Johnny Rotten of the Sex...

38.

No Irish, No Blacks, No Dogs. The Authorized Autobiography/Johnny Rotten of the Sex Pistols.

NY: St. Martin’s Press, 1994. First US edition. Qtr. cloth. 330pp. Photo-illustrated. SIGNED by the author (as Johnny Rotten) on the half-title page. Contemporary TLS from Lydon’s then manager, Bill Diggins, to MTV Europe’s Sunie Fletcher laid in. Lydon’s first autobiography, replete with plain-speaking attitude: “A lot of people feel the Sex Pistols were just negative. I agree, and what the fuck is wrong with that? Sometimes the absolute most positive thing you can be in a boring society is completely negative”. Includes reminiscences from Paul Cook, Steve Jones, Chrissie Hynde, Julien Temple, Bob..... More about No Irish, No Blacks, No Dogs. The Authorized Autobiography/Johnny Rotten of the Sex Pistols

Item #41449 Decoder Handbuch: Muzak, Cut-Ups, Piraten, Frogs, Burger, Der Film. Klaus MAECK,...

39.

Decoder Handbuch: Muzak, Cut-Ups, Piraten, Frogs, Burger, Der Film.

Duisburg: Trikont Duisburg, 1984. First edition. 4to. Wrps., 60pp. Illustrated with photographs and graphics. Texts in German. Includes a lengthy essay by Genesis P-Orridge (“Muzak: Ein Konzept zur Manipulation von Menschen”); Klaus Maeck on Psychic TV; “Rhythmus” by Elias Canetti; Sandy Robertson on Aleister Crowley (6pp.); Jean Baudrillard (“Die Szene und das Obszone”); a 7pp. section on Maeck’s film “Decoder”, featuring Christiane F., Einstürzende Neubauten, Bill Rice, Genesis P-Orridge, and William Burroughs (the film was inspired by “Electronic Revolution”); and a section on cut-ups, including an interview with William Burroughs by Klaus Maeck; Brion Gysin’s text “Cut-Ups Self-Explained”..... More about Decoder Handbuch: Muzak, Cut-Ups, Piraten, Frogs, Burger, Der Film

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Item #41450 LIFE Magazine, Vol. 67, #25 (Chicago: December 19, 1969). Charles MANSON

40.

LIFE Magazine, Vol. 67, #25 (Chicago: December 19, 1969).

The “Love and Terror Cult” issue, with the famous ‘Svengali’ cover photograph and a 12pp. photo-illustrated feature on Manson and his ‘Family’. Also: reaction to the My Lai massacre; Albert Goldman on “The Lord Buckley Phenomenon”; and Joan Didion (who later stated: “Many people I know in Los Angeles believe that the Sixties ended abruptly on August 9, 1969, ended at the exact moment when word of the murders on Cielo Drive travelled like brushfire through the community, and in a sense this is true. The tension broke that day. The paranoia was fulfilled.”). Mailing label..... More about LIFE Magazine, Vol. 67, #25 (Chicago: December 19, 1969

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Item #41451 Free Charles Manson. Charles MANSON

41.

Free Charles Manson.

Philadelphia, PA: Horn Company, 1970. Original badge, issued in Lawrence, Kansas. 4.3cm. diameter. The badge, which bears a photo of Manson, was issued at a time when he was regarded as a revolutionary hero by some segments of the American Left, including the Weathermen, who proclaimed 1970 “The Year of the Fork” in his honour. Producing the badges was conceived as a fundraising tool by the staff of Vortex, a Lawrence underground paper, who believed that Manson was being framed for murder by the government. They were created to raise consciousness about the case and to..... More about Free Charles Manson

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Item #41452 The Garbage People. Charles MANSON, John GILMORE, Ron KENNER

42.

The Garbage People.

LA: Omega Press, 1971. First edition, softcover issue. 188pp. One of the earliest accounts of the Manson Family, utilising first-hand interviews with Charles Manson, and taking its title from his own words: “Where does the garbage go, as we have tin cans and garbage alongside the road, and oil slicks in the water, so you have people, and I am one of your garbage people” (Court Transcript, November 19, 1970). Faint spine crease, o/w Very Good plus. More about The Garbage People

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Item #41453 Mark Mothersbaugh: Myopia. Mark MOTHERSBAUGH, Adam LERNER

43.

Mark Mothersbaugh: Myopia.

NY: Princeton Architectural Press, 2014. 4to. Decorative boards. 256pp. Illustrated throughout. Published to accompany the touring exhibition of Mark Mothersbaugh’s work that ran between November 2014 and May 2017. Foreword by Wes Anderson; essays by Maria Elena Buszek, Shepard Fairey, Cary Levine, and Steven Wolf. “Features a lifetime of creative inventions, including early postcards, screen prints, decals, and DEVO ephemera, as well as later paintings, photographs, sculptures, and even rugs” (cover blurb). Small bump to upper left corner of lower board, o/w Fine. More about Mark Mothersbaugh: Myopia

Item #41455 NEW DEZEZES (SF: 1977

45.

NEW DEZEZES (SF: 1977).

4to. Fifteen xeroxed sheets, printed rectos only, bound by two staples at upper corners. Illustrated. The first issue (of two published). Edited by Jean Caffeine (later a member of Pulsallama), with contributions by Peter Urban (then manager of the Dils). Subtitled ‘Punk Stuff’, with the names of various punk bands and the mental disorders and physical diseases associated with them scattered across the front cover like a rash. The first page offers brief comments on new vinyl, including “Pretty Vacant”, with a photo of Johnny Rotten “hiding from the yobs”. The following page features a James..... More about NEW DEZEZES (SF: 1977

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Item #41456 NEW ORDER #1 (Dania, FL: nd. [1977

46.

NEW ORDER #1 (Dania, FL: nd. [1977]).

Ed. R. Mascaro and James Marshall. 4to. 16pp. Cover photographs by Lynn Goldsmith and Roberta Bayley. Subtitled “Rock‘N’Roll Resurrection!”, this first issue (of two published) was conceived “by James Marshall to fill the gaps in Rock‘n’Roll information and criticism left wide by the major publications and to report selected major events, through a younger more enthusiastic voice.” Contents include a 2pp. interview with Richard Hell; a 6pp. interview with the Patti Smith Group, and a single sheet insert printing Smith’s “You Can’t Say ‘Fuck’ in Radio Free America”, reprinted from the Yipster Times; a feature on..... More about NEW ORDER #1 (Dania, FL: nd. [1977

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Item #41458 NO EASY ANSWERS No. 1 (London: April 1980

48.

NO EASY ANSWERS No. 1 (London: April 1980).

4to. 20pp. (incl. multi-colour cover), side-stapled. Illustrated throughout with photographs, collages, clip art, etc. (one page in colour). The first (only?) issue of this imaginatively designed anarcho-punk ‘zine, featuring interviews with Crass and Cyclon-B, and printing the lyrics to the Poison Girls song, “What Are We Gonna Do About It?”. All three groups played a benefit gig to help finance this short-lived fanzine, which was printed and distributed by Better Badges. Very Good plus. More about NO EASY ANSWERS No. 1 (London: April 1980

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Item #41459 He's Able. PEOPLE’S TEMPLE CHOIR

49.

He's Able.

San Francisco, CA: Brotherhood Records, nd. (1973). LP record (NPC-3). Recordings of gospel music sung by the followers of Jim Jones, featuring solos by Marceline and Jones. The title track is an old gospel song about divine intervention, but with the ‘He’ in this case referring to Jones (“Our inspiration is a lifestyle demonstrated by our pastor, James W. Jones”). Front cover colour photograph taken in front of the Portals of the Past at Lloyd Lake in Golden Gate Park. Back cover b/w photos of the choir, and one of Jones. Death in June..... More about He's Able

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Item #41461 An original flyer produced by SST Records and featuring artwork by Raymond Pettibon...

51.

An original flyer produced by SST Records and featuring artwork by Raymond Pettibon (“Taste The Moment!”) announcing Black Flag, the Middle Class, Social Distortion, the Adolescents, and China White at the Starwood, Los Angeles, January 6-7, 1981.

28x21.6cm. Printed in black on off-white paper (there was also a variant on pink paper). Old central vertical fold and three old horizontal folds; light tape residue to extremities of verso; faint creasing. Good. More about An original flyer produced by SST Records and featuring artwork by Raymond Pettibon (“Taste The...

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Item #41462 Tripping Corpse. Raymond PETTIBON

52.

Tripping Corpse.

Lawndale, CA: SST Publications, 1981. 23 sheets (28x21.6cm.), staple-bound, printed rectos only, either offset-litho or duplicated on different colour paper stock. Raymond Pettibon’s second artist’s book, subtitled “Special Sickedelic Issue”, and the first (of six) in his Tripping Corpse series. Limited edition, hand-numbered by Pettibon on the front cover. Contents include Pettibon’s interview with Black Flag (3pp.); a “Psychedelic Translation of Alan [sic] Ginsberg’s Howl”, 3pp.; a fake “Slash-Style” punk concert review; and several full-page reproductions of drawings by Pettibon. Soft diagonal crease to upper right corner, o/w Very Good plus. More about Tripping Corpse

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Item #41463 POINT-BLANK! #1 (Berkeley, CA: Point-Blank!, October 1972

53.

POINT-BLANK! #1 (Berkeley, CA: Point-Blank!, October 1972).

8vo. Wrps., 100pp. Illustrated throughout with détourned images, ads., and cartoons. A collection of 11 essays (subtitled “contributions towards a situationist revolution”) by David Jacobs, Christopher Winks and Chris Shutes, the founding members of Point-Blank, a group which began at the University of California at Santa Cruz in 1971. James Stark’s later use of a smoking gun graphic for SF punk group Crime (as well as Nick Egan’s similar image for the Clash) recalls the Point-Blank! logo that appears on the front cover of this first (and only) issue. Near Fine. More about POINT-BLANK! #1 (Berkeley, CA: Point-Blank!, October 1972

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Item #41464 A group of three posters issued simultaneously by Point-Blank!, along with a fourth...

54.

A group of three posters issued simultaneously by Point-Blank!, along with a fourth (featuring the group’s logo of a gun) that was issued the following day.

SF: Point-Blank!, nd. (June 1973). Each poster measures 44.5x28.5cm. Printed in black and red on white stock, illustrated. Part of Point-Blank’s San Francisco Project, the posters were designed to resemble “an official document written and signed by various civic leaders... We used the entire city as a base for subversion... Our goals are as radical as our methods; for us, revolution means nothing less than the transformation of everything... The end of San Francisco as a place of isolation and separation... will only come about when people abolish these conditions through their own actions... The future will belong..... More about A group of three posters issued simultaneously by Point-Blank!, along with a fourth (featuring...

Item #41465 Iggy Pop. Iggy POP

55.

Iggy Pop.

LA: One Stop Posters, 1978. An original head shop poster featuring a large colour photograph of Iggy Pop, an outtake from Neal Preston’s Hollywood photo-session for the April 1974 issue of Creem magazine. Offset. 89x58.5cm. Text to lower right corner states “Licensed through Dan Sugerman” (Iggy’s manager at the time of the photo-session). Together with the magazine’s front cover, Neal Preston’s photos accompanied Lester Bangs’ lengthy feature on Iggy (including the Creem ‘Mate of the Month’ colour centrefold), and the unpublished image reproduced on the poster depicts him bleached blond and bare-chested, save for a navy silk bow..... More about Iggy Pop

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Item #41466 An original painting by Genesis P-Orridge, dated ‘COUM 73’ and SIGNED with his...

56.

An original painting by Genesis P-Orridge, dated ‘COUM 73’ and SIGNED with his secret magical symbol of the Holy Father, the Crowleyan Phallic SUN surrounded by the triple triangle of dots.

On the verso, the artist has added a SIGNED inscription in black marker pen on the wooden bars of the stretcher: “to Jon Savage for xmas 1978 with love & so on Genesis P-Orridge”. Paint on canvas, partially varnished, with 15 (originally 16) small plastic discs attached. 44.7x34cm. The painting mixes colour, music and writing in a magical sigilisation, incorporating a stylised rendition of P-Orridge’s bass guitar (or possibly violin), magical sigils from the COUM Alphabet (transmuted from Gerald Fitzgerald’s ‘quaquascript’), and the magical colours of the three key members of COUM: Genesis P-Orridge (orange), Cosey..... More about An original painting by Genesis P-Orridge, dated ‘COUM 73’ and SIGNED with his secret magical...

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Item #41467 Artist’s postcard. Replica of a mail art postcard to the fictional artist Ted...

57.

Artist’s postcard. Replica of a mail art postcard to the fictional artist Ted Glass, originally mailed in late November 1975.

14.6x10.3cm. Fine. The b/w card was one of five ‘indecent’ postcards for which P-Orridge was charged under the 1953 Post Office Act. Facsimile copies printed by COUM were sent out together with other documents as part of P-Orridge’s campaign to bolster his status as a ‘serious’ artist, and enlist support in advance of his court appearance in April 1976. Recipients included William Burroughs and Bridget Riley, various art magazines, several art critics, including Richard Cork, and Sir Norman Reid, Director of the Tate Gallery. The postcard reproduces Magritte’s painting, ‘Time Transfixed’, with the addition of an..... More about Artist’s postcard. Replica of a mail art postcard to the fictional artist Ted Glass, originally...

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Item #41468 Mail art/collage sent to Rhett Delford Brown, embellished by P-Orridge with his small...

58.

Mail art/collage sent to Rhett Delford Brown, embellished by P-Orridge with his small ‘Tree of Life’ drawing and stamped in red ‘4 Dec. 1975’ and ‘FILE UNDER COUM’.

Additionally stamped with COUM slogans in black, as well as the return address of Coum Transmissions in Hackney. 15x10.5cm. The colour photographic postcard depicts the front entrance to 10 Downing Street, a policeman standing sentry outside, pasted over with a colour photograph of two women in a sexual embrace and an extract from a printed text highlighted in pink by P-Orridge, both clipped from a pornographic magazine. On the other side, P-Orridge’s holograph message reads: “Glad all is well, Here is your happy xmas interrogation: Ravelled in sweat and juices they stroll on guard: Is it just..... More about Mail art/collage sent to Rhett Delford Brown, embellished by P-Orridge with his small ‘Tree of...

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Item #41469 Mail art/collage sent to Jerry Dreva, stamped in red ‘7 Dec. 1975’ and ‘FILE...

59.

Mail art/collage sent to Jerry Dreva, stamped in red ‘7 Dec. 1975’ and ‘FILE UNDER COUM’.

Embellished by P-Orridge with his small ‘Tree of Life’ drawing and additional markings in felt tip pen, and annotated in black ink: “Interim Report - Letter to Follow”. 14x9cm. The card’s recto features three original b/w photographs of P-Orridge, attached by eight small staples. Underneath them, mounted directly on the card, is a small piece of brown paper with a decorative border, below which a line in a handstamped black script reads “jusqu a la balle crystal”, the title P-Orridge gave to all COUM’s work in 1975. All three photographs depict P-Orridge with long hair (in..... More about Mail art/collage sent to Jerry Dreva, stamped in red ‘7 Dec. 1975’ and ‘FILE UNDER COUM’

Item #41470 Mail art/collage sent to “Rhett and Bob gonzo Delford Brown” (Rhett Cone Brown...

60.

Mail art/collage sent to “Rhett and Bob gonzo Delford Brown” (Rhett Cone Brown and Robert Delford Brown), postmarked ‘London February 8 1976’.

10.5x15cm. The postcard features a colour photograph of a steam locomotive (‘Princess Elizabeth’), with a sexually explicit text clipped from a pornographic magazine shaped to resemble a plume of chimney smoke. In the lower part, two colour photographs of naked women have been added, both appearing to recline alongside the railway tracks. The image is referred to by P-Orridge in an addendum to his holograph message: “picture of coum going off thee rails!”. The postcard, dated “18-2-76”, refers both to P-Orridge’s upcoming appearance at Highbury Corner Magistrates Court and COUM’s imminent performances in Milan: “we are up in..... More about Mail art/collage sent to “Rhett and Bob gonzo Delford Brown” (Rhett Cone Brown and Robert...

Item #41471 Mail art/collage sent to “Shellfish Willing Hands” (art critic Sheldon Williams),...

61.

Mail art/collage sent to “Shellfish Willing Hands” (art critic Sheldon Williams), postmarked ‘Milan February 26, 1976’.

9x16.7cm. Made from handcut brown card, featuring a pasted-on Italian train ticket filled in, dated and SIGNED by P-Orridge in black ink, with additional clippings from a magazine, one of them a small ad. for a gay leather magazine, Impact 2 - A Ramon Publication. On the verso, dated “24-2-76 from Milan Galleria”, P-Orridge’s holograph message reads: “dearest Sheldon, Galleria Borgogna is Gianni Schubert’s we do action at 9pm on Wednesday there with a discussion and dialogue afterwards: E wonder if you remember thee cigar?”, continuing: “We are getting our British Council structure built in thee Galleria and..... More about Mail art/collage sent to “Shellfish Willing Hands” (art critic Sheldon Williams), postmarked...

Item #41472 Mail art/collage sent to E.M. Plunkett (Edward Plunkett, mail artist and a member of...

62.

Mail art/collage sent to E.M. Plunkett (Edward Plunkett, mail artist and a member of the New York Correspondence School), postmarked ‘London June 11 1976’.

9x14cm. The collage features a handwritten Manson reference, “Helter Skelter’s” [sic], its letters outlined in black ink and filled in using a red felt tip pen, with additional sections of green felt tip and two COUM stamped slogans: ‘Fear’ and ‘Paranoia’ (P-Orridge formed a pseudo-organisation called the Paranoia Club after his trial at Highbury Magistrates Court in April 1976). A photo of a woman’s smiling face, clipped from a colour magazine, is attached to the right edge, with the entire image bisected by two black lines forming a large cross. The verso has Ed Plunkett’s address..... More about Mail art/collage sent to E.M. Plunkett (Edward Plunkett, mail artist and a member of the New York...

Item #41473 Mail art/collage sent to “dearest Bob & Rhett” (Robert Delford Brown and...

63.

Mail art/collage sent to “dearest Bob & Rhett” (Robert Delford Brown and Rhett Cone Brown), stamped in red ‘20 Dec. 1976’ and ‘FILE UNDER COUM’.

9x14cm. Titled “on the vacation list…” (a line cut from a magazine), the collage features a mid-century black-and-white photograph of happy middle-class parents seated in an American railway observation car, while their young son, dressed in a cowboy outfit, points gleefully towards the genitalia of a naked woman, the outsize colour image of whom appears to be passing by on the other side of the window. On the card's verso, in pink holograph, P-Orridge apologises for not visiting Robert Delford Brown and Rhett Cone Brown during his recent US tour with Cosey Fanni Tutti (their first trip to..... More about Mail art/collage sent to “dearest Bob & Rhett” (Robert Delford Brown and Rhett Cone...

Item #41474 G.P.O. v G.P-O, Mail Action. A Chronicle of Mail Art on trial coumpiled by Genesis...

64.

G.P.O. v G.P-O, Mail Action. A Chronicle of Mail Art on trial coumpiled by Genesis P-Orridge and COUM.

Geneva: Ecart Publications, 1976. First edition. 4to. Tape bound wrps., unpaginated (c.100pp.). Edition limited to 500 numbered copies (including 25 copies numbered 001 to 025 of the edition de tête), this one no. 093. Prints ephemera, legal documents, correspondence and articles in facsimile relating to P-Orridge’s prosecution in 1975 for sending ‘indecent’ material through the post, and his subsequent trial at Highbury Corner Magistrates Court in April 1976 (he was found guilty of violating the 1953 Post Office Act and the book was intended to raise funds to pay for his fine). ‘A SPACE Archive Copy’..... More about G.P.O. v G.P-O, Mail Action. A Chronicle of Mail Art on trial coumpiled by Genesis P-Orridge and...

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Item #41475 Mail art/collage sent to Jerry Dreva, c. May 1977. Genesis P-ORRIDGE

65.

Mail art/collage sent to Jerry Dreva, c. May 1977.

15x10.5cm. The postcard features a colour photograph of the Old Bailey, with a collaged magazine image of a woman appearing to have sex with the dome and statue of justice. Two lines drawn in blue felt tip angle down from the upper corners to the base of the statue to form a large ‘v’ shape, with white Tipp-Ex partially filling it, like white pubic hair. P-Orridge’s holograph message, densely written in green ink, covers the entire blank side of the postcard, which he has embellished with a bold Throbbing Gristle stamp, together with various other COUM stamps, and..... More about Mail art/collage sent to Jerry Dreva, c. May 1977

Item #41476 Painful but Fabulous: The Lives & Art of Genesis P-Orridge. Genesis P-ORRIDGE

66.

Painful but Fabulous: The Lives & Art of Genesis P-Orridge.

Brooklyn, NY: Soft Skull Press, Inc., 2002. First edition. 4to. Glossy illustrated wrps., 200pp. SIGNED on the dedication page “Breyer - P-Orridge”, the pandrogynous name of Jacqueline Breyer, aka Lady Jaye Breyer P-Orridge, and Genesis P-Orridge. Lavishly illustrated throughout in colour and b/w, featuring texts, photographs and artworks from P-Orridge’s archive, many of them previously unseen. Introduction by Carl Abrahamsson, with essays by Julie Wilson, Douglas Rushkoff, Richard Metzger, Bengala, Paul Cecil, Carol Tessitore, and Genesis P-Orridge. Includes a bibliography and a selected discography. Blurbs by Timothy Leary and William Burroughs to back cover..... More about Painful but Fabulous: The Lives & Art of Genesis P-Orridge

Item #41478 Gary Gilmore Memorial Society. Genesis P-ORRIDGE, Cosey Fanni TUTTI, Monte CAZAZZA

68.

Gary Gilmore Memorial Society.

(London): Terroristes Genetiques, 1977. Mail art. Printed recto only. 29.8x21cm. Illustrated with a portrait of double-murderer Gary Gilmore taken from a clipping of a newspaper announcement of his execution by firing squad in Utah on January 17, 1977. One of 100 copies numbered and SIGNED by Genesis P-Orridge. P-Orridge, Tutti and Cazazza founded the Gary Gilmore Memorial Society in November 1976 after watching the story of the trial unfold on TV in America. In the wake of Gilmore’s execution, a rubber stamp was made that read ‘17 JAN. 1977 CEASE TO EXIST’ in memory of the..... More about Gary Gilmore Memorial Society

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Item #41479 The Process: Archives, Documents, Reflections and Revelations. The PROCESS CHURCH,...

69.

The Process: Archives, Documents, Reflections and Revelations.

Roma: End of Kali-Yuga Editions, 2013. First edition. 8vo. Wrps., 208pp. Illustrated throughout. Limited edition of 555 numbered copies; though not called for, this copy has been signed by the author on the title page. A history of The Process Church, based on the author’s extensive archive and featuring 140 illustrations of rare publications, documents and photographs of Processeans and disciples. Fine. More about The Process: Archives, Documents, Reflections and Revelations

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Item #41480 PROCESSED WORLD #1-13 (SF: Processed World, Spring 1981-Spring 1985

70.

PROCESSED WORLD #1-13 (SF: Processed World, Spring 1981-Spring 1985).

8vo. Stapled pictorial wrps. Pagination varies (46pp.-68pp.). Illustrated with détourned graphics, cartoons and photographs. A consecutive run of the first 13 issues of this anti-capitalist, anti-authoritarian magazine, founded in San Francisco by Chris Carlsson and Caitlin Manning with the intention to satirise and critique neoliberalism and the new era of computerised information processing. The front cover of the first issue (April 1981), featuring artwork by Linda Wiens and emblazoned with the slogan “Are you doing the processing? ... or are you being processed?”, set the tone for an attitude it shared with both the post-situationists (Christopher..... More about PROCESSED WORLD #1-13 (SF: Processed World, Spring 1981-Spring 1985

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Item #41481 PROCESSED WORLD #21, #23, #25, #29, #31, #32 (SF: Processed World, January 1988 -...

71.

PROCESSED WORLD #21, #23, #25, #29, #31, #32 (SF: Processed World, January 1988 - Summer/Fall, 1992).

4to. Pictorial wrps., pagination varies (48pp.-64pp.). Illustrated throughout. A broken run of six issues, including the final issue (a thirty-third issue, scheduled for publication in Spring 1995, never materialised, though it subsequently appeared on the internet in June 2000). Front cover art by Paul Mavrides; Ramone Muñoz; ‘Tom Tomorrow’ (aka cartoonist Dan Perkins, a future finalist for the Pulitzer Prize, whose long-running comic strip, ‘This Modern World’, first appeared in Processed World); Angela Bocage (a contributor to Gay Comix, Strip AIDS USA, and Wimmen’s Comix, among other publications); Beth Grundvig; and others. The contents of these..... More about PROCESSED WORLD #21, #23, #25, #29, #31, #32 (SF: Processed World, January 1988 - Summer/Fall, 1992

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Item #41484 The Bag Managers. Original artwork for the front cover of Processed World #11 (SF:...

72.

The Bag Managers. Original artwork for the front cover of Processed World #11 (SF: Summer 1984).

Black ink and collage on Letraset Letratone, mounted on thin white card (35.5x29.3cm.), with transparent acrylic overlay partially coloured with grey Letratone shading and red translucent plastic film. Printer’s registration marks and blue crop alignment lines to margins. Near Fine. Melinda Gebbie, known for her pioneering work in underground comix, in particular the all-female collective Wimmen’s Comix, Tits & Clits and Twisted Sisters, also contributed the front cover art to the fourth and thirteenth issues of Processed World. The magazine included many women in its collective and, as co-founder Chris Carlsson later recalled, featured regular articles..... More about The Bag Managers. Original artwork for the front cover of Processed World #11 (SF: Summer 1984

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Item #41485 Roman P./Neurology. PSYCHIC T. V., THEE TEMPLE OV PSYCHICK YOUTH

73.

Roman P./Neurology.

Rouen: Sordide Sentimentale, 1984. First edition, limited to 3003 numbered copies. Issued in a gatefold quarto-size cardboard cover featuring artwork by Jean-Pierre Turmel, wrapped in an outer Sordide Sentimentale clear polythene bag containing a 16pp. illustrated booklet with texts by Turmel in French and English, a flyer for the PTV concert in Rouen, June 1, 1984, and a 7” vinyl record, the B-side of which contains recordings of Jim Jones and Charles Manson. Minor wear to polythene bag; lower corner diagonal crease to flyer; o/w Near Fine. More about Roman P./Neurology

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Item #41486 PUNK POSTER MAGAZINE + PUNK ROCK SPECIAL - SEX PISTOLS

74.

PUNK POSTER MAGAZINE + PUNK ROCK SPECIAL - SEX PISTOLS.

Two poster-size colour broadsides, both folded in three, as issued. i) Punk Poster Magazine. London: Byblos Productions, 1977. Measures 91.5x60cm. unfolded. Poster-size colour photo of the Sex Pistols to one side; verso divided into cover and six colour panels, each one printing a photograph and brief text on a different group (the Clash, the Damned, the Saints, the Stranglers, the Jam, the Vibrators, Johnny Thunders & The Heartbreakers), and one panel featuring various others, including a photo of Siouxsie Sioux. Slightly rubbed along folds; pinholes to two corners; o/w Very Good; ii) Punk Rock Special..... More about PUNK POSTER MAGAZINE + PUNK ROCK SPECIAL - SEX PISTOLS

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Item #41487 RAPID EYE 3 (London: Creation Books, 1994

75.

RAPID EYE 3 (London: Creation Books, 1994).

First edition. 4to. Perfect bound wrps., 252pp. Ed. Simon Dwyer. Illustrated throughout. Genesis P-Orridge’s copy, SIGNED and inscribed to him by Simon Dwyer, along with P-Orridge’s SIGNED inscription thanking Dwyer and the addition of his ‘Porridge With Everything’ blindstamp. Dwyer’s presentation inscription reads: “To Gen, An Angel or Devil? Blood dripping from a tree, hee-hee, is it you or is it me? All my L-O-V-E Simon Valentines Day ‘95”. Contents include Carel Rowe on “Myth and Symbolism In The Work Of Kenneth Anger”; “Rot in the Clockwork Orange: Charles Manson Godstar” by RC Zaehner;..... More about RAPID EYE 3 (London: Creation Books, 1994

Item #41488 RE/SEARCH #1-3 (SF: 1980-1981

76.

RE/SEARCH #1-3 (SF: 1980-1981).

Tabloid newspaper format, folded. Each 34pp.-38pp. Original printings. Ed. V. Vale. Illustrated throughout, including photographs by Ruby Ray. Contributors include Kathy Acker (“Ali and the Mosque”), Michael Moorcock (“Non-Authoritarian Science Fiction: A Guide”), and JG Ballard (“Zodiac 2000”). The first three issues of Re/Search, a journal inspired by André Breton’s call in his Surrealist Manifestos to explore the irrational shadow of official culture, and the successor to Search & Destroy (item #84). Subsequent issues were published in book format. Contents include the Slits; Throbbing Gristle; Young Marble Giants; Jay Kinney’s “The Conspiracy-Watcher’s..... More about RE/SEARCH #1-3 (SF: 1980-1981

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Item #41489 RIPPED & TORN No. 1 (Cumbernauld, North Lanarkshire: November 1976

77.

RIPPED & TORN No. 1 (Cumbernauld, North Lanarkshire: November 1976).

4to. 10 sheets, printed rectos only, stapled at top corner. The first of 17 issues published by Tony D (Tony Drayton) between late 1976 and March 1979, billed as “The first Scottish Punk mag, written by fans… for fans”; Drayton later moved to London and founded Kill Your Pet Puppy. Contents include “The Damned Interview & Review”; Jonathan Richman; record reviews; Iggy Pop pin-up; more. Back page detached from staple, o/w Near Fine. More about RIPPED & TORN No. 1 (Cumbernauld, North Lanarkshire: November 1976

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Item #41490 RIPPED & TORN No. 3 (Cumbernauld, North Lanarkshire: February/ March 1977

78.

RIPPED & TORN No. 3 (Cumbernauld, North Lanarkshire: February/ March 1977).

4to. 10 sheets, printed rectos only, stapled at top corner. 4to. 12 sheets, printed rectos only, stapled at top corner. Includes Tony Drayton’s account of his trip to London and visit to the Roxy club; reviews of “Radio Ethiopia”, “Spiral Scratch”, “Max’s Kansas City”, and the Ramones’ “Leave Home”; Sandy Robertson on Patti Smith; Robbie Collins on The Jolt (from nearby Wishaw); Johnny Rotten pin-up; more. Near Fine. More about RIPPED & TORN No. 3 (Cumbernauld, North Lanarkshire: February/ March 1977

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Item #41491 ROUGH TRADE MAIL ORDER No. 5 (London: Rough Trade, November 1977

79.

ROUGH TRADE MAIL ORDER No. 5 (London: Rough Trade, November 1977).

4to. 4 duplicated sheets, printed rectos and versos (except back page, recto only), stapled at top corner. Design, artwork and front cover text by Jon Savage; other material by Steve Montgomery (“mainly cos Geoff [Travis] has gone to New York to suss out some good music for our v. selective clientele”). Back page detached from staple, o/w Very Good plus. Together with: Rough Trade Mail Order No. 4. 4to. 3 duplicated sheets, printed rectos and versos (except back page, recto only), stapled at top corner. Rough Trade’s mail order catalogues started as..... More about ROUGH TRADE MAIL ORDER No. 5 (London: Rough Trade, November 1977

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Item #41513 Ed Ruscha/Raymond Pettibon: The Holy Bible & THE END. Ed RUSCHA, Raymond PETTIBON

80.

Ed Ruscha/Raymond Pettibon: The Holy Bible & THE END.

Claremont, CA: Pomona College Museum of Art, 2006. First edition. 8vo. Stiff card illustrated wrps., 32pp. Illustrated with 18 colour plates and 2 b/w images. Foreword by Kathleen Stewart Howe; texts by Ed Hamilton and Dave Hickey; biographical essays by Jonathan Raz and Rachel Monroe. Published to accompany the exhibition of Ruscha and Pettibon’s collaborative work on the print series ‘The Holy Bible and THE END’, an image/text dialogue made in collaboration with Master Printer Edward Hamilton. Very Near Fine. More about Ed Ruscha/Raymond Pettibon: The Holy Bible & THE END

Item #41493 Corpsemeat #1/Dead Duck (London: Savage Pencil/Shock Publications, 1991). SAVAGE PENCIL

82.

Corpsemeat #1/Dead Duck (London: Savage Pencil/Shock Publications, 1991).

4to. Stiff paper wrps. (20pp.), printed dos-a-dos. SIGNED by the artist. First combined edition of Savage Pencil’s “personal fetishes, phobias, fears and prejudices let loose on the world like a deadly strain of bacillus”. Dead Duck as it appears here includes one alternate page, as the original from the first edition was lost. Slight creasing to fore-edge, o/w Near Fine. More about Corpsemeat #1/Dead Duck (London: Savage Pencil/Shock Publications, 1991

Item #41494 An original flyer announcing the Screamers at The Rat (The Rathskeller) in Boston,...

83.

An original flyer announcing the Screamers at The Rat (The Rathskeller) in Boston, Massachusetts, November 8 (1978).

28x21.7cm. Illustrated with Gary Panter’s b/w cartoon portrait of a shrieking head with spiky hair, a stylised likeness of the Screamers’ frontman, Tomata du Plenty. Support was provided by Marc Thor and The Destroyers. Some creasing to corners and edges; overall, Very Good. More about An original flyer announcing the Screamers at The Rat (The Rathskeller) in Boston, Massachusetts,...

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Item #41495 SEARCH & DESTROY: New Wave Cultural Research #1-11 (SF: 1977-1979) - all published

84.

SEARCH & DESTROY: New Wave Cultural Research #1-11 (SF: 1977-1979) - all published.

Ed. V. Vale. Tabloid newspaper format, folded, as issued. Each 12pp.-24pp. Illustrated throughout. All original printings, including the first state of the first issue. Vale, then working at City Lights, started work on Search & Destroy in January 1977 with the help of a few hundred dollars from Allen Ginsberg and Lawrence Ferlinghetti. His intention was to provide a voice for the punk movement (a “total cultural revolt”), and the photography and in-depth interviews he featured in it helped fuel a resurgent counterculture in San Francisco. Interviewees include: Crime; the Avengers; the Ramones; the Clash; Devo;..... More about SEARCH & DESTROY: New Wave Cultural Research #1-11 (SF: 1977-1979) - all published

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Item #41496 Press Kit. SEX PISTOLS

85.

Press Kit.

(London): Glitterbest Ltd., nd. (November 1976). Press kit, second version, issued after the Pistols signed to EMI in October 1976 and before their appearance on Bill Grundy’s Today programme on December 1. Consists of six loose quarto sheets of different colour paper, each folded once to make cover + 20pp. Assembled by Jamie Reid and Sophie Richmond, and printed at Reid’s Suburban Press. The covers, much like the first edition (August), reproduce concert flyers by Jamie Reid, Nils Stevenson and Helen Wellington-Lloyd, and its expanded contents comprise numerous early press cuttings relating to the Sex Pistols..... More about Press Kit

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Item #41498 SNIFFIN’ GLUE and Other Rock’n’Roll Habits #2-12 (London: August...

87.

SNIFFIN’ GLUE and Other Rock’n’Roll Habits #2-12 (London: August 1976-August/September 1977).

A consecutive run of 11 issues, lacking only the first issue, issue #3 and a half, and the Sniffin’ Snow Christmas Special. 4to. Duplicated., stapled at upper left corner. Pagination varies. Illustrated, including photographs by Sheila Rock, Jill Furmanovsky, Erica Echenberg, and Harry T. Murlowski. A near-complete run of Mark Perry’s innovative DIY fanzine, a call to arms for punk music that set the template for countless others to follow: in the fifth issue, Perry urged “All you kids out there who read ‘SG’, don’t be satisfied with what we write. Go out and start your own fanzines…”..... More about SNIFFIN’ GLUE and Other Rock’n’Roll Habits #2-12 (London: August 1976-August/September 1977

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Item #41499 Suicide: No Compromise. SUICIDE, David NOBAKHT

88.

Suicide: No Compromise.

London: SAF Publishing, 2005. First edition. 224pp. + 8pp. photo-insert. Interview-based biography, featuring contributions from Alan Vega and Martin Rev, along with Chris Stein, Michael Stipe, Moby, Henry Rollins, Marc Almond, Bobby Gillespie, Jim Reid, Sylvain Mizrahi, Jayne County, Thurston Moore, David Thomas, Lydia Lunch, James Chance, and others. Discography. Tiny blemish to upper edge of lower dw. panel, o/w Fine in dw. More about Suicide: No Compromise

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Item #41500 TEMPORARY HOARDING No. 2 (London: nd. [c. June 1977

89.

TEMPORARY HOARDING No. 2 (London: nd. [c. June 1977]).

Tabloid newspaper format, folded, in sections. Rock Against Racism was created in 1976 in reaction to the National Front and in response to an inflammatory statement made by Eric Clapton in support of Enoch Powell. Its ‘zine-style newspaper, Temporary Hoarding, was founded soon after and ran to 15 issues over the next five years. This early issue prints interviews with Johnny Rotten (conducted in June 1977 in the Sir George Robey in Finsbury Park, near where he grew up), the Clash, Aswad, and Carol Grimes. Minor wear only. Near Fine. Together with: an unused sheet..... More about TEMPORARY HOARDING No. 2 (London: nd. [c. June 1977

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Item #41501 Warm Leatherette/T.V.O.D. THE NORMAL

90.

Warm Leatherette/T.V.O.D.

London: Mute Records, 1978. 7” single (MUTE 001; original Lyntone pressing). Front cover photograph of crash test dummies in action. Daniel Miller’s Ballard-inspired debut, recorded at home on two Revox B77s and pressed in an initial run of 2000 copies. Distributed by Rough Trade, it subsequently sold 30,000 copies, probably helped by Jane Suck naming it ‘Single of the Century’ in Sounds. Vinyl excellent; sleeve Very Good plus. More about Warm Leatherette/T.V.O.D

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Item #41502 THE ROCK MARKETPLACE #1-10 (Elmhurst, NY: May 1973-June 1975) - all published

91.

THE ROCK MARKETPLACE #1-10 (Elmhurst, NY: May 1973-June 1975) - all published.

4to. Offset. Stapled wrps. Pagination varies (30pp.-52pp.). Illustrated. Published and edited by Alan Betrock. All issues Very Good or better. A complete run of Alan Betrock’s pioneering fanzine, and the immediate successor to JAMZ (item #32). Betrock’s intention was for it to fulfill two main purposes: “one is for people to barter about records, tapes & memorabilia for fun, profit, or fetish. The other is to present entertainment, information, and ideas” (from the editorial, first issue). Combining set sale, auction and wanted lists with informed articles, record reviews and discographies, the magazine brought together the growing..... More about THE ROCK MARKETPLACE #1-10 (Elmhurst, NY: May 1973-June 1975) - all published

Item #41503 Three original Throbbing Gristle badges. THROBBING GRISTLE

92.

Three original Throbbing Gristle badges.

i) TG flash. 2.3cm. diameter. Near Fine; ii) TG DOA - Dead on Arrival. 3cm. diameter. Near Fine; iii) T-GASM. 2.3cm. diameter. T-GASM was an acronym for the Throbbing Gristle Appreciation Society of Minneapolis, run by “Commander” Stefan Hammond, one of whose aims was “to help the spread of Industrial Records propaganda throughout our continent and abroad…”. Near Fine. Together with: a large PTV badge (skull motif on a pink ground). 5.5cm. diameter; and a badge with a human silhouette crossed through with a diagonal red stripe. Both Near Fine. (5 badges). More about Three original Throbbing Gristle badges

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Item #41505 TRICK No. 1 (London: November 1977

94.

TRICK No. 1 (London: November 1977).

Tabloid newspaper format (24pp.). The first (and last?) issue of “The only music paper written by its readers”. Front cover photo of Gaye Advert by Steve Sparkes. An introductory text by Karl Dallas explains that “As a start-off, this issue was put together by Pete of Shews, Mark of Skum, Kev + Tony (ex-Vortex)… with contributions from Jane Suck…”. Features include photos of the Clash in Ulster by Adrian Boot and a review of their concert at Newcastle Poly by Kev Giles; the Wasps; Sham 69; a Sex Pistols centrespread; Jane Suck on Siouxsie..... More about TRICK No. 1 (London: November 1977

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Item #41506 Cosey Fanni Tutti: Magazine Action 1972-1980, 1972-1981, and 1975-1980 (3 volumes,...

95.

Cosey Fanni Tutti: Magazine Action 1972-1980, 1972-1981, and 1975-1980 (3 volumes, all published).

No place (San Francisco): no publisher (Basement Press), nd. (2017). 4to. Red card wrps., unpaginated (each c. 190pp.). Limited edition of 65 copies, with each of the three individually numbered books housed in translucent red self seal PVC bags. Each volume reproduces photographic illustrations in colour and b/w documenting the full range of Cosey’s magazine actions, a body of work made between 1972-1981 she conceived as a development from her use of existing pornography in collages and mail art: “…the idea of cutting around my own body and collaging myself as a nude model from a...... More about Cosey Fanni Tutti: Magazine Action 1972-1980, 1972-1981, and 1975-1980 (3 volumes, all published

Item #41507 Untitled. Cosey Fanni TUTTI

96.

Untitled.

No place: no publisher, no date. A set of 3 packs containing a combined total of 128 quarto size digital photographic prints of Cosey’s sex-magazine actions, stripping agency promo shots, and photographs from her live performances. 97 colour and 31 b/w prints, each one with a brief description printed to upper margin. Contained in three clear plastic sleeves with card backing. Images from Cosey’s '70s sex-magazine actions were exhibited at COUM’s ‘Prostitution’ show at the ICA in London in 1976, and several included here feature shots by Laszlo Szabo, her favoured photographer. Photo-documented actions include “Woman’s..... More about Untitled

Item #41508 VILE Vol. 3, no. 1 (San Francisco, CA: Banana Productions, December 1975

97.

VILE Vol. 3, no. 1 (San Francisco, CA: Banana Productions, December 1975).

Ed. Anna Banana. 4to. Stapled wrps., 68pp. Illustrated, including altered advertisements taken from LIFE magazine. The third issue of VILE, a magazine founded by Anna Banana in response to “FILE Magazine’s growing disdain for mail-art.” Contents of this “Christmas Special” include a letter from Genesis P-Orridge containing a lurid description of Cosey Fanni Tutti’s performance of ‘Omissions’ in Germany (though, as Simon Ford notes in ‘Wreckers of Civilisation’, “P-Orridge often spiced-up the contents of his letters to Vile in an attempt, no doubt, to live up to the magazine’s title”). The letter also refers to the..... More about VILE Vol. 3, no. 1 (San Francisco, CA: Banana Productions, December 1975

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Item #41509 WHITE STUFF #3 (London: April/May 1977

98.

WHITE STUFF #3 (London: April/May 1977).

Ed. Sandy Robertson. 4to. Original xeroxed fanzine, 11pp. (printed rectos only). Stapled at top corner. The third issue of eight published. Like many others, Robertson was inspired by Sniffin’ Glue, and named his fanzine after the lyric from the song “Ain’t It Strange” by Patti Smith, around whom most of the content is centered (this issue includes her interview from Andy Warhol’s Interview magazine and reviews of bootleg recordings). Cover slightly creased; faint price sticker ‘ghost’ mark to front cover; o/w Very Good. More about WHITE STUFF #3 (London: April/May 1977

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Item #41510 WHO PUT THE BOMP #2-13 (Fairfax/Burbank, CA: March 1970-Spring 1975

99.

WHO PUT THE BOMP #2-13 (Fairfax/Burbank, CA: March 1970-Spring 1975).

Each 8pp.-88pp. Illustrated. Published and edited by Greg Shaw. Assistant editor/art director Jonh Ingham (issues #4-9). Formats vary (most issues mimeographed and stapled). A good, early run of Greg Shaw’s fanzine, lacking only the first issue, of which there are no known copies extant. The second and third issues were produced in runs of only 50 copies each. Using his old mailing list from Mojo-Navigator, the fanzine he helped launch in San Francisco in 1966, and named after Barry Mann’s doo-wop hit, Who Put The Bomp was started in January 1970 by Greg Shaw, who dedicated..... More about WHO PUT THE BOMP #2-13 (Fairfax/Burbank, CA: March 1970-Spring 1975

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Item #41511 Away with the Murder of the Body. WICKED MESSENGERS

100.

Away with the Murder of the Body.

London: Wicked Messengers, nd. (1974). 4to. Stapled wrps., 20pp. Printed offset-litho by the Suburban Press. “An unauthorised transformation of a section from Trois Milliards de Pervers: Grande Encyclopédie des Homosexualités”, a work first published in March 1973 in Recherches, an avant-garde journal of psychiatry founded by Félix Guattari in 1965 (the issue was seized by the French authorities for breaching moral standards, with Guattari fined for committing an “outrage to public decency”). The opening text reads: “However pseudo-tolerant it appears, the capitalist order in all its aspects - family, school, factory, office - continues to exercise..... More about Away with the Murder of the Body

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