NY: Universal Publishing, nd. (1953). First edition (digest-size p/b original). "A glimpse behind the bamboo screen into the world of plush harems, hashish and the machinations of the orient… an exotic, fast-moving tale of international intrigue and intriguing femininity that speeds to a smash finish in San Francisco's Chinatown!" (back cover blurb). Light rubbing to lower wrapper, o/w a tight, square Near Fine copy, with uncreased spine. More about Confessions of a Chinatown Moll
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NY: Ace Books, 1953. First edition of William Burroughs' first book, written under the pseudonym 'William Lee'. Bound tête-bêche in wrappers with Maurice Helbrant's "Narcotic Agent". Publisher's note by Carl Solomon (not credited). Ace Books was owned by Carl Solomon's uncle, A.A. Wyn, a connection made by Allen Ginsberg who was acting as Burroughs's agent at the time. The publication of Nelson Algren's novel "The Man With The Golden Arm" in 1949 inspired a trend for books about junkies, many of them mass-market paperbacks sold in newsagents rather than bookshops, and with commercial success in mind Wyn agreed..... More about Junkie
London: Digit Books, nd. (1957). First UK edition, and the first edition of "Junkie" as a separate item. Wrps. Front cover art by Al Rossi, based on his earlier artwork for Ace Books. His sensational back cover art depicts blonde with hypo and rolled-down stocking, and it was probably this, at least in part, that provoked the British censors to suppress the book after publication and order all the remaining copies to be pulped. Surviving copies of this legendary rarity seldom appear on the market, and those that do are usually found in less than collectable condition. This..... More about Junkie
London: New English Library, 1969. Wrps. New front cover art depicts junkie's arm with hypo. SIGNED and inscribed by the author on the title page: "For Allen De Loach William Burroughs". A nice association as De Loach published Burroughs in his magazine Intrepid. Spine slightly faded, with a little flaking to spine edges; pages lightly browned, o/w a tight, Very Good plus copy. More about Junkie
London: Tandem, 1966. First p/b edition. Front cover art depicts a mainline shot with blood. Faint reading creases to spine; page edges slightly tanned; wrappers rubbed and lightly creased, o/w a tight, Very Good copy. More about Dead Fingers Talk
NY: Falcon Books, Inc., 1952. First edition (digest-size p/b original). Cover art by Ketor Seach. Issued as no.36 in Falcon Books' digest series. "Steve's search… takes him into sordid 'Dream Street', the world of 'junkies', murderers and prostitutes, in this revealing novel of raw sex and brutal passions" (back cover blurb). The title's similarity to that of William Burroughs's first book, published the following year, suggests that it may have influenced Ace with their unauthorised choice of title (from its inception in 1949, right up until March 1953, a month before publication, Burroughs had always referred..... More about Junkie! The Life and Loves of a Drug Addict
NY: Berkley Publishing Corp., 1958. First thus (originally published in 1904 as "Fumée d'opium"). Wrps. Translation by Samuel Putnam. Preface by Pierre Louys. Cover art by Robert Maguire features an erotic depiction of a naked blonde woman amidst the swirling smoke of an opium pipe. Farrère's classic collection of opium tales: "The world of BLACK OPIUM is a forbidden world where human bodies find themselves possessed and driven by desires which consume them in the flames of hot-blooded ecstasy... Here is a world of torture and torment, filled with the fantastically erotic shapes of the living nightmares of..... More about Black Opium
NY: Avon, 1959. P/b original. "She was lonely and promiscuous - in that well-bred-casual way of young women who have too much money, too much time and nobody to really give a damn what they do with it. Then she stumbled onto Shelley, crude and sensual, one of the Beat Generation" (blurb). Golightly, author of "The Wild One" and a former Greenwich Village bookshop owner, sued Truman Capote, Esquire, and Random House for libel and invasion of privacy over Capote's depiction of her near-namesake in "Breakfast at Tiffany's". Front cover diagonal crease to top right corner..... More about Beat Girl
NY: Dell, 1941. First edition in book form (the story first appeared in Detective Fiction Weekly), published as Dell Book 11, priced at .10c. (and originally sold in vending machines). Wrps., unpaginated. Classic pulp cover art by Bill Fleming. "A cheap and evil girl sets a hopped-up killer against a city". Cheap paper browned, with water stains to lower right corners and two short tears to second leaf; surface creasing and associated rubbing to upper wrapper; o/w a Good copy of this noir classic. More about Marihuana
NY: Signet, 1958. First p/b edition. Back cover blurb: "Wild drives across America... buying cars, wrecking cars, stealing cars, dumping cars, picking up girls, making love, all-night drinking bouts, jazz joints, wild parties, hot spots... This is the odyssey of the Beat Generation". A Near Fine copy, with tight binding, uncreased spine, and red edges of text block unfaded. More about On The Road
London: Pan (1961), second printing of the first UK p/b edition (1963). Front cover art depicts redhead with hands on hips, exposed midriff and side-zipped blue-green slacks against jazz combo background. Alexis Lykiard's ownership label to first leaf. Page edges slightly tanned, with corner dampstain to first few leaves; wrappers slightly rubbed and lightly creased; o/w Very Good with a tight, square spine. More about On The Road
London: Panther, 1962. First UK p/b edition. Front cover blurb: "An unashamed look at their weird lives... their wild loves... in a jazz-haunted, desire-tormented world". Cover art depicts barefoot redhead dancing to sax; back cover shows still from the movie. Faint reading creases to spine, o/w a tight, Very Good plus copy. More about The Subterraneans
NY: New American Library (Signet D1718), 1959. First p/b edition. Back cover blurb: "From the pagan depths of Frisco's Bohemian bars to the dizzying heights of the snow-capped Sierras... This is the story of two sensation-seeking hipsters and their jet-propelled search for Experience. Here are their 'yabyum' sexual orgies... their marathon wine-drinking binges... their wild careening mountain-climbing sprees... their sky-rocketing poetry-jazz bouts - as only Jack Kerouac can reveal them". Near Fine. More about The Dharma Bums
NY: Ace Books, 1954. First p/b edition (D-398), second issue (with .35c cover price). Cover art by Bernard Barton. "There's this Jane sitting on a park bench just waiting for someone to come along. She's got no home, no wedding ring, and this here baby in her arms. So, strictly for kicks… Mark Gillis latches on to this babe... Anyway, that's the beginning of that wild, mixed-up week-end" (blurb). Slight creasing to top right corner of upper wrapper; pages slightly tanned; o/w a tight, Very Good plus copy. More about Why I Am So Beat
NY: Belmont Books, 1966. First p/b edition (originally published in hardcover in 1962). "She was beautiful, young, blonde, and a junkie… I had to help her!... In this fascinating, frighteningly realistic novel Maxwell Dent becomes enmeshed in the harrowing world of narcotics" (blurb). A Near Fine, unread copy. More about The Damned and the Destroyed
NY: Original Novels, Inc., [February] 1952. First edition (digest-size p/b original). Classic cover art by Robert Schultz depicting blonde, hypo, etc. "Here is the revealing, shocking story of a thrill-seeking and wealthy young girl who, because of a driving desire to find love, falls into the abyss of shame… Willing to steal from her family, to pawn her jewels, to sell out to any man to keep herself supplied with the precious 'junk' pretty Connie Emerson… runs through the gamut of life at its sordid worst!" (blurb). Some light wear and rubbing to spine; scuff marks..... More about Beyond Desire
NY: Original Novels, Inc., 1952 (stated, but possibly 1953). The second printing of "Beyond Desire", re-titled, but with the same front cover art (the back cover design differs). "Joy for one and all... or so they said... and at a price. That was the fateful, illusory stock-in-trade of the Dream Club. Behind its secret door, they would tell you, you could buy the fulfillment of every hope, the taste of every delight, the thrill of infinite power. But it could only be for an hour, a day... and the price was damnation!" (back cover blurb). Light..... More about Dream Club (Beyond Desire
NY: Pyramid Books, 1954. First p/b edition. Classic cover art by Julian Paul. A confessional account of heroin, morphine, cocaine, marijuana, and opium use in New York City: "Here is a true, uncensored account of a growing social problem - the story of one man's struggle to return from the pit of depravity" (back cover blurb). Tiny loss to head of spine panel; slight rubbing to spine edges and shallow crease to upper wrapper, o/w a tight, Very Good plus to Near Fine copy. More about I Was a Drug Addict
NY: Grove Press, Inc., 1960. First edition. 8vo. Black cloth, with titles to spine and upper board in red and silver. Dustwrapper cover photograph by Richard Seaver; author's photo to lower panel by Jane Lougee. Trocchi's best known work, set in Scotland and New York (based in part on his experiences working on the Hudson River), and a classic of modern drug literature. Wallace Berman published the first excerpt from it in Semina Two (December 1957) during the period Trocchi spent living in Venice Beach, California with his American wife, Lyn Hicks, and it was Hicks who helped..... More about CAIN'S BOOK
London: William Heinemann Ltd., 1961. First UK edition and the first edition in hardcover. Dw. design by August von Briesen. A more 'literary' version of Trocchi's novel, originally published under the pseudonym 'Francis Lengel' by Maurice Girodias's Olympia Press in 1954. Edges slightly spotted, o/w Very Good plus in dw., with slight soiling to flap extremities. Small ownership label of Alexis Lykiard to front free endpaper (Lykiard wrote the introduction to "Wholly Communion", in which he describes Trocchi as having "done a difficult job well" in compering the International Poetry Incarnation). More about YOUNG ADAM
NY: New American Library/Signet, 1961. First edition (p/b original). 160pp. Contains a revised version of "Young Adam", plus four short stories - "A Being of Distances", "The Holy Man", "Peter Pierce", and "A Meeting". A very Near Fine, unread copy. More about THE OUTSIDERS
Paris: The Traveller's Companion Series, 1962. First edition thus. Sage green wrps., 189pp. Trocchi's first novel, originally published in 1954 as "Helen and Desire" by the Olympia Press as volume 2 of its Atlantic Library Series, and the first written under his pseudonym 'Frances Lengel'. Minor lower left corner crease to back cover, o/w Near Fine. More about DESIRE AND HELEN (as Frances Lengel
John Calder, 1963. First UK edition. Red boards, with gold spine lettering. Dustwrapper reproduces a photograph of one of Trocchi's sculptures, or 'futiques' as he called them ("what will be prized as an antique tomorrow"; years later Timothy Leary used the term for the name of one of his software companies, Futiques, Inc.). This edition of "Cain's Book" was seized by the police at bookshop in Sheffield and went to trial for obscenity in April 1964. The court's judgement was the first in Britain to condemn a book for obscenity not for its sexual content but for "the..... More about CAIN'S BOOK
Ed. Francis Hitching. Contains "The Junkie and the Novel" by (concrete poet/artist) Alan Riddell, a generally positive 2pp. feature on Alexander Trocchi, taking in his recent public spat with Hugh MacDiarmid in Edinburgh, commentary on "Young Adam" and "Cain's Book", news that he "is now working on a third novel, It's a Long, Long Way to Guadalahara", and ending with a quote from Trocchi: "Burroughs stunned himself out of existence. I can live with heroin." Also: British folk singer Maureen Martin (see also item #171); "The Trials of Henry Miller" (4pp.); Dr. Strangelove + interview with..... More about SCENE #21 (Soho, London: March 23, 1963
NY: Frederick Fell, 1963. First edition. 8vo. 366pp. Edited by Richard Seaver, Terry Southern and Alexander Trocchi. Contains contributions from William Burroughs ("From Naked Lunch", 10pp., preceded by ES Seldon's pre-review of "Naked Lunch", 5pp., which had originally appeared in Evergreen Review and the Grove publicity pamphlet); Allen Ginsberg; Antonin Artaud; Louis-Ferdinand Céline; Jean Genet; Herman Hesse; Eugene Ionesco; Hubert Selby Jr.; Samuel Beckett; and others. Very Good plus in slightly rubbed and nicked, price-clipped dw. More about WRITERS IN REVOLT: AN ANTHOLOGY
8vo. Stapled wrps. Contains "The Spontaneous University" (4pp.) by Alexander Trocchi, an extract from "The Invisible Insurrection of a Million Minds" (the full version of which first appeared in the June 1962 issue of New Saltire magazine). Also: "Anarchism and the Cybernetics of Self-Organising Systems" by John D. McEwan; and "Beatnik as Anarchist?" by Ian Vine (5pp.). Very Good plus. More about ANARCHY #31 [Vol. 3, No. 9] (London: Freedom Press, September 1963
Project Sigma, which grew out of Alexander Trocchi's involvement with the Situationist International (he was expelled by Guy Debord in 1963), was an ambitious attempt to establish an international network of countercultural activism focused on institutions Trocchi perceived as limiting free expression, including the media, universities and workplaces. The Sigma Portfolio, circulated on a subscription basis, was the concrete manifestation of his project, an invitation to recipients (artists, writers and intellectuals) to participate with their own contributions, as well as acting as an exemplar of underground self-dissemination. Several issues were mimeographed by Jeff Nuttall, sometimes assisted by Bob..... More about PROJECT SIGMA. A broken run of 20 issues of the Sigma Portfolio (London: c. 1963- 1966). Formats...
Broadsheet poster featuring texts by William Burroughs ("Martin's Folly"), Kenneth White, Alexander Trocchi and Antonin Artaud. Offset litho. 75.5x49.8cm. The first publication from Trocchi's Sigma Portfolio. An almost pristine, unfolded copy, and scarce thus, with just a single, tiny closed tear to upper edge and the barest of creasing to extremities. More about THE MOVING TIMES. London: Sigma Portfolio #1, nd. (c. late 1964
Broadsheet poster featuring texts by William Burroughs ("Martin's Folly"), Kenneth White, Alexander Trocchi and Antonin Artaud. Offset litho. Second issue, printed in two halves on both sides of a single sheet. 33.7x43.5cm. A little edge-worn, but overall Very Good plus. More about THE MOVING TIMES. London: Sigma Portfolio #1, nd. (c. late 1964
Trocchi's development of the thesis outlined in "The Invisible Insurrection of a Million Minds", including an explanation of the reasons behind the choice of the word 'sigma'. 3 foolscap sheets, mimeographed, printed on both sides, stapled at top corner. Very Good plus. More about SIGMA: A Tactical Blueprint. London: Sigma Portfolio #3, nd
4 foolscap sheets, mimeographed, printed on both sides, stapled at top corner. Ink lines through part of title at upper edge and Trocchi's address to lower edge, o/w Very Good. More about SIGMA GENERAL INFORMATION SERVICE EXISTENTIAL CONSULTANTS LONDON PARIS NEW YORK. London: Sigma...
RD Laing's important essay on psychotherapy, delivered at the Sixth International Congress for Psychotherapy in London, August 1964. 3 foolscap sheets, mimeographed, printed on both sides, stapled at top corner. Very Good. More about PRACTICE AND THEORY - THE PRESENT SITUATION. London: Project Sigma #6, nd. (1964
Introduction states: "We consider the letter (e.g. the Lettristes of Paris of the early fifties) a very contemporary medium." 2 foolscap sheets, mimeographed, printed on both sides, stapled at top corner. Near Fine. More about LETTER from STAN BRAKHAGE to ROBERT KELLY. London: Sigma Portfolio #10, nd
A critical report by Marcus Field on John Calder's inaugural Writers Night, held at Better Books in November 1964. Single foolscap sheet, mimeographed, printed recto only. Very Good plus. More about THE MOVING TIMES… special supplement. London: Sigma Portfolio #13, c. November 1964
London: Sigma Portfolio #21, nd. An essay by Michael McClure, reprinted from "Meat Science Essays". 4 foolscap sheets, mimeographed, printed on both sides, stapled at top corner. Near Fine. More about REVOLT
A reprint of Kenneth White's paper, read by the author in December 1964 to the Jargon Group in Glasgow. Two foolscap sheets, mimeographed, printed on both sides, stapled at top corner. Near Fine. More about JARGON PAPER No. 1. London: Sigma Portfolio #23, c. December 1964
17.3x25.4cm. Satin finish. Probably printed in the late 1990s or early 2000s. A copy of The Moving Times broadsheet poster can be seen affixed to the wall in the background (in another of Hoppy's shots from the same sequence a small pile of folded copies of the poster is visible on his desk). Early in the previous year both Trocchi and Sommerville featured in Antony Balch's film, 'Towers Open Fire', the former as chairman of the board (it was shot in the boardroom of the British Film Institute). Trocchi's three-roomed flat had been found..... More about An original b/w photograph by John Hopkins of Alexander Trocchi with Ian Sommerville in Trocchi's...
Ed./pub. Bob Guccione. Contains a 7pp. transcript of a symposium on "the changing British moral climate", with participants Alexander Trocchi, Laura del Rivo, Colin Wilson, Alan Sillitoe, Stuart Holroyd, and Bill Hopkins. Also: a brief review of Roland Kirk at Ronnie Scott's; "Paris, My Paris" by Wolf Mankowitz; Gerald Kersh; Julian Huxley (on human evolution); Allen Edwardes (on erotic freedom); Dr. Alex Comfort ("On Subliminal Self-Advertising"); "Penthouse People", incl. hairdressers Raphael & Leonard, television producer Philip Saville (married to playwright Jane Arden), and Dudley Moore. Minor wear at spine, o/w a Near Fine copy of the premiere issue. More about PENTHOUSE Vol. 1, No. 1 (London: Penthouse Publications Ltd., March 1965
Ed. Jeff Nuttall. Mimeographed foolscap sheets, stapled. Includes a 1pp. piece on Trocchi's Project Sigma by Jeff Nuttall: "To be sigma, as I understand it, is to hold the following simple premise - that people must now change or become extinct." It concludes with "a list of people and organisations My Own Mag has made contact with who, in different ways, seem to be attempting to bring such a change" (among those included in the list are "The Situationists… Allen Ginsberg etc…. Tuli Kupferberg & Birth Press… Wm. Burroughs & Fellow Time-Space travellers… Jim Haynes… The Castalia Foundation…..... More about MY OWN MAG #12 (Barnet, Herts.: May 1965
Sm. folio. Newsprint. Contains "Why Drugs?" by Alexander Trocchi, a 2pp. article in defence of the use of marijuana and heroin (it follows "The Drug Danger: A Need for Facts" by TCN Gibbens, written in the wake of the death of Joshua Macmillan. Also: Rory McEwen on Bob Dylan; cover art by Barry Fantoni. Together with: i) THE LISTENER Vol. LXXIII, No. 1887 (London: May 27, 1965). Contains "Drugs as Escapism", a (sympathetic) response to Trocchi's article by Rev. Bruce Kenrick of the Iona Community. ii) NEW SOCIETY No. 166 (London: December 2, 1965). Contains a...... More about NEW SOCIETY Vol. 5, No. 138 (London: May 20, 1965
Single quarto sheet of blue paper, mimeographed, recto only. The final bulletin (of three), announcing "Readings, Improvisations, Happenings, Symposium & Final Poets Communique", with a much-expanded list of "Participating guests to date". In addition to those participants announced on the first two bulletins (Allen Ginsberg, Gregory Corso, Lawrence Ferlinghetti, Alexander Trocchi et al) the names of (among others) Paolo Lionni, Bruce Lacey, Feliks Topolski, Bill Butler, Jeff Nuttall, Ruth Fainlight, Marcus Field, and George Dowden, and in absentia, William Burroughs, have been added. This final list illustrates the extent to which the planned event..... More about POETS OF THE WORLD/POETS OF OUR TIME Final Bulletin
20.3x25.4cm. Photographer's printed caption label to verso, dated 1999. The image shows the event's compere Alexander Trocchi speaking to a journalist, alongside Allen Ginsberg (looking to the camera), together with Adrian Mitchell, Anselm Hollo, Michael Horovitz, Harry Fainlight, Ernst Jandl, John Esam, Marcus Field, and in the background, Barbara Rubin, who is filming the proceedings. Fine. More about An original glossy b/w photograph by John Hopkins of the Albert Hall Poetry Reading's main...
Mustard colour folded card, printed in green. Measures 28x10.2 (when folded). Prints the Blakean invocation for the event, a collaborative piece spontaneously conceived by a gathering of ten poets at Alexander Trocchi's Notting Hill flat (Trocchi's involvement in the event was suggested by Allen Ginsberg, previously near neighbours of one another on the Lower East Side). Its inclusion of the line "You are not alone" (at Ginsberg's insistence, according to Michael Horovitz) was particularly prescient as at least 7000 people turned up, arousing the feeling for many beats, proto-hippies and outsiders that they indeed were not..... More about Original programme for the landmark gathering compered by Alexander Trocchi at the Royal Albert...
Broadsheet double-sided offset lithograph, folded once to make 4pp. 58.4x91.4cm. (unfolded). SIGNED in red by Trocchi at his contribution. The 'International Poetry At The Royal Albert Hall London' issue of Topolski's long-running Chronicle, featuring his charcoal drawings of many of the participants, several poems reproduced in holograph facsimile in blue and red inks, and a text by Alexander Trocchi, "What Happened At The Royal Albert Hall?". Though stating "Not all the poems reproduced here were recited at the Albert Hall", the broadsheet prints holograph manuscript poems by Allen Ginsberg, Harry Fainlight, Michael Horovitz, Pete Brown..... More about TOPOLSKI'S CHRONICLE Vol. XIII, Nos. 5-6 (London: 1965
London: Lorrimer Films Ltd., (December) 1965. First edition. Wrps., 72pp. SIGNED by Peter Whitehead on the title page, and by Alexis Lykiard at his introduction (Lykiard, together with Gustav Metzger, John Esam and others, assisted Whitehead in editing the film and provided its title, since commonly used when referring to the event, though it wasn't used at the time). Whitehead published the book (the first under the imprint of Lorrimer, his middle name) following the technical restrictions imposed during the making of the film and the difficulties in editing it: "It is in fairness to the..... More about Wholly Communion. The film by Peter Whitehead
London: Lorrimer Films Ltd., (April) 1966. New edition, issued to coincide with the film's world premiére at the Academy Cinema in London. Wrps., 72pp. SIGNED on the title page by Lawrence Ferlinghetti (pictured reading at the event on the front cover photo). Contents almost identical to the first edition, with the additional preliminary quote, "Tonite let's all make love in London", a line from Allen Ginsberg's poem "Who Be Kind To" later used by Whitehead as the title for his film on Swinging London. Wrappers slightly rubbed at extremities, o/w Very Good plus. More about Wholly Communion. The film by Peter Whitehead
Np. (Kettering, Northants): Hathor Films, 1995, VHS video (b/w, 33 mins.). Peter Whitehead's original self-released VHS cassette (title on label misspelled 'Holy'). Whitehead shot his film of the International Poetry Incarnation on 16mm film, later blowing it up to 35mm. The sound recording was taken from the poet's microphone and added during editing when the original synchronised sound was found to be of poor quality. Fine. More about Wholly Communion: The Film by Peter Whitehead
London: John Calder, 1965. First edition, softcover issue. 131pp. Trocchi contributes the four short stories which had first appeared in "The Outsiders" (item #25), the first of which, a description of a family funeral titled "A Being of Distances", reuses material from "Cain's Book". The other contributors are Sinclair Beiles (four poems), David Mercer and Nick Rawson. A tight, unread Very Good plus copy. More about NEW WRITERS 3
8pp. leaflet, stapled. Donald Nicholson-Smith's English translation of this important text on the 1965 Watts rebellion in Los Angeles, its title chosen by Debord to evoke Gibbon's "The Decline and the Fall". It was distributed in England by Alexander Trocchi (and in the USA by the Rebel Worker group), and conceived as a supplement to Internationale Situationniste #10. The back page prints an English translation of a collective text by Debord, Raoul Vaneigem and Mustapha Khayati, originally intended as an appendix to another advance supplement to IS #10. It seems likely that William Burroughs read a copy..... More about The Decline and the Fall of the 'Spectacular' Commodity-Economy. Paris: SI, (dated) December 1965
Eleven foolscap sheets of pink paper, stapled at top left corner. Approx. 40 holograph amendments by the author to lower right corners of the first three sheets (where carbon worn or missing). Sent by Trocchi to Bill Levy at International Times, c. 1967. The article, untitled here but later titled "Problems and Pseudoproblems concerning Dangerous Drugs", sets out Trocchi's critical response to the findings and decisions taken by the Brain Committee (named after its chairman Sir Russell Brain), an interdepartmental committee instituted by the British government in 1958 that delivered reports in 1961 and 1965. In..... More about An 11pp. typescript (carbon) of Alexander Trocchi's essay concerning the Brain Committee, the...
Ed. Stephanie Nettell. Contains "Drugs are Relative", a 2pp. article by Alexander Trocchi, part of a longer feature headed "Writers and Drugs" that also includes contributions from Anthony Storr, William Burroughs ("Anti-Junk", 4pp.), Edmund Blunden (on "the Romantic opium-eaters Coleridge, Crabbe and De Quincey"), Francis Huxley ("Stop/Go with LSD"), David Markson (on Malcolm Lowry), and Richard Whittington-Egan (on Dylan Thomas). Also: first novels reviewed by Maureen Duffy (incl. Thom Keyes and Tom Stoppard); 2pp. interview with AE Hotchner (on his friendship with Hemingway); 1pp. interview with Seamus Heaney; ad. for Better Books; more. Some..... More about BOOKS AND BOOKMEN Vol. 12, No. 2 (London: Hansom Books, November 1966
Tabloid newspaper format. 12pp. Ed. Tom McGrath. Alexander Trocchi contributes a two-column article on Project Sigma on page 2, and gives the newspaper's Southampton Row address as its new office. Also: interviews with Dick Gregory and The Paul Butterfield Blues Band; Takis by Kenneth Coutts-Smith; Alex Gross on Berlin's beatniks; 'Seedy Bee' by Jeff Nuttall; ad. for Pink Floyd at the Roundhouse; more. Tear to leading edge at old centre fold and some overall wear, o/w Very Good. More about THE INTERNATIONAL TIMES #4 (London: November 28, 1966
N. Hollywood, CA: Brandon House, 1967. First edition thus. Wrps., 208pp. Introduction by Jack Hirschman (6pp.). Originally published by the Olympia Press in 1955 as volume 14 of its Traveller's Companion Series under the author's pseudonym 'Frances Lengel'. "White Thighs is the extraordinary, uncompromising portrayal of a man's descent into the hell of his own tortured soul" (back cover blurb). In his introduction Hirschman describes a novel "dominated by domination itself… a book whose style (language, perceptions) - the voice of a contemporary poet - commands the highest respect." The Brandon House editions of Trocchi's novels..... More about WHITE THIGHS
N. Hollywood, CA: Brandon House, 1967. First edition thus. Wrps., 208pp. Introduction by Jack Hirschman (6pp.), with a 2pp. postscript by Alexander Trocchi (Brian Kirby, a friend of Hirschman's and an editor at Brandon House, persuaded Trocchi to write short texts for these new American editions). Light surface creasing to upper wrapper, o/w Near Fine. More about HELEN AND DESIRE
N. Hollywood, CA: Brandon House, 1967. First edition thus. Wrps., 191pp. The sequel to "Helen and Desire", originally published by the Olympia Press in 1954 as volume 7 of its Atlantic Library Series under the author's pseudonym 'Frances Lengel'. Introduction by Jack Hirschman (7pp.), with a 3pp. postscript by Alexander Trocchi. Wrappers lightly rubbed, o/w Near Fine. More about THE CARNAL DAYS OF HELEN SEFERIS
N. Hollywood, CA: Brandon House, 1967. First edition thus. Wrps., 191pp. Introduction by Robert Creeley (4pp.). Originally published by the Olympia Press in 1956 as volume 25 of its Traveller’s Companion Series under the author's pseudonym 'Carmencita de las Lunas'. In his introduction, Creeley writes that Trocchi is "an intense moralist... In Thongs, as in the other novels he has written in this genre, Trocchi defines the isolation of persons in sexual rapport, and the facts of life as unrelieved in all possible senses." Wrappers lightly rubbed, o/w about Near Fine. More about THONGS
Six sheets, each measure 25.3x20.4cm. (two stapled + paper clip; four gathered with paper clip [together with Sigma Portfolio #22 mimeo sheet]). The stapled poem, "lessons fr boys&girls school leaving X cert., question 1" appeared on p.19 in IT #19 (October 5, 1967), and five years later it was collected in "Man at Leisure", along with the three others here ("He Tasted History with a Yellow Tooth"; "Wind from the Bosphoros" [first printed in Merlin in 1953]; and "Notes for the Sad' Poems"). Minor handling wear to typescripts; Sigma sheet slightly edge-worn. More about A group of four typescript poems (carbon) by Alexander Trocchi, originally sent to the editor of...
Tabloid newspaper format. 20pp. Ed. Bill Levy. Alexander Trocchi contributes "lessons fr boys&girls school leaving X cert., question 1" (see item #65 above), printed alongside a photograph by Malcolm Hart (uncredited) of It girl Penny. Also: Courtney Tulloch on the Notting Hill Festival; "So Who Owns Death T.V.?", Walter Bowart's report from America; John Michell on ley lines; "Acid Burned a Hole in my Genes" by Joel Meltz; "The Acid Report: Chemical, Sociological & Legal Aspects of LSD" (centrespread); Kevin Ayers' "Song for International Times"; John Peel column; Ted Joans on Hieronymus Bosch; correspondence on Aleister..... More about THE INTERNATIONAL TIMES #19 (London: October 5, 1967
Newspaper format. 16pp. Ed. Bill Levy; associate editors Jim Haynes, Germaine Greer, and Heathcote Williams. Art direction by Willem de Ridder; photographs by Anna Beeke and Ed van der Elsken. Centre pages printed in three different colours. Includes Alexander Trocchi's translation from "The Debauched Hospodar" by Apollinaire (originally published by the Olympia Press in 1953 under the pseudonym Oscar Mole). Other contributors include Robert Crumb ("Joe Blow", full-page); Valerie Solanas ("The S.C.U.M Manifesto"); Alex Gross; and WH Auden ("The Gobble Poem"). Advertisers include IT, Time Out, and Andrew Loog Oldham's record label, Instant (a subsidiary of..... More about SUCK - First European Sexpaper No. 1 (London: BCM/Joy, September 1969
The second issue (not stated). Ed. James Tyson. Contains "The Hen's Convention or thoughts of bare-man Lao" (2pp.) by Alexander Trocchi, part of the "MOB" (short for 'My Own Business') column he co-edited with William Burroughs that first appeared in the launch issue of July 1970 and continued in the September issue. Also: "Sex on the NHS: A new look at legalized brothels or prostitution on prescription"; "The Uranus Generation" (5pp.); "Sex Mags" (6pp.), featuring a discussion of Curious, Jeremy, and the underground press, including Oz and the recent Schoolkids issue; an erotic poem by Maureen..... More about CONTACT: The International Communications Magazine (Westbourne Grove, London: August 1970
Each sheet measures 25.3x20.4cm. The "4 carnalish poems" ("Belinda"; "Marilyn"; "Myrtle with the Light Blue Hair"; and "Into My Church") were sent to Levy for possible inclusion in Suck, or possibly a Suck book project, but were not used (they appeared a few months later in "Man at Leisure", the imminent publication of which Trocchi refers to in the letter). Author's ink holograph amendment to one poem, with a stray ink squiggle to letter. Two faint horizontal folds and ring binder hole punches to all five sheets, o/w Near Fine. More about A group of 4 typescript poems by Alexander Trocchi, accompanied by a typed letter signed to the...
London: Calder & Boyars, 1972. First edition. Trocchi's only collection of poetry. William Burroughs contributes "Introduction: 'Alex Trocchi Cosmonaut of Inner Space' ", a text originally intended for the "Long Book", an unpublished (and largely unwritten) novel Trocchi had first pledged to John Calder in the mid-'60s. Fine in Near Fine, price-clipped dw. More about MAN AT LEISURE
Print measures 17.8x23.9cm. (image size 14.9x22.6cm.). Photographer's stamp and 'Alexander Trocchi' written out in ink by the photographer to verso. The photograph shows Trocchi in his book-lined study, seated beside a coffee table covered with, among other objects, a small filing cabinet, cigarette packets, two wine glasses and an opened bottle of Möet & Chandon, while Sally Child, introduced to Trocchi by Robert Creeley's wife, Penny, and his lover for the last seven years of his life, looks on. Fine. More about An original b/w photograph by Harold Chapman of Alexander Trocchi and Sally Child, taken in...
Another print of the same image as above, with no border. 14.8x22.4cm. Photographer's stamp to verso. Fine. More about An original b/w photograph by Harold Chapman of Alexander Trocchi and Sally Child, taken in...
Print measures 24x17.8cm. (image size 22.4x15cm.). Photographer's stamp (slightly faint) and 'Alexander Trocchi' written out in ink by the photographer to verso. Fine. More about An original b/w photograph by Harold Chapman of Alexander Trocchi, taken in Trocchi's Holland...
Detroit: The Artists' Workshop, June 1965. First edition. Sq. 8vo. Wrps., 45pp. The author's first book, this copy SIGNED and inscribed by him on the front free endpaper: "for Ann & Ramsey Wardrop 'thank you' John 1.viii.65". Front cover photograph of John Sinclair and Charles Moore by Magdalene Arndt. Introduction by Charles Moore. A collection of Sinclair's poems "for the new music & the new musicians", named after Ornette Coleman's album of 1960, and the third title in the Workshop Books series from the Artists' Workshop Press (Sinclair later described the Artists' Workshop, co-founded..... More about This Is Our Music
Detroit: Artists' Workshop Press, September/ December 1965 (actually c. February 1966). Edited with an introduction by John Sinclair for the Wayne State University Artists' Society (Sinclair attended graduate school at Wayne State University, and wrote his thesis on "Naked Lunch", before dropping out in autumn 1965). 4to. Card wrps., 15 mimeographed sheets, stapled. Cover photograph of Magdalene Sinclair on the WSU campus in 1965 by Robin Eichele. Includes contributions by George Tysh, Allen Van Newkirk, Dave Sinclair, Jerry Younkins, Jerry Butler, Richard Covert, John Sinclair, Roy Polhamuns, Henry Malone, and Robin Eichele. The sixth volume in the..... More about FREE POEMS AMONG FRIENDS Vol. 1
Ed. John Sinclair and Charles Moore. 4to. Card wrps., mimeographed sheets, stapled. 78pp. + 6pp. insert (music notation) + 16pp. insert + 2pp. insert (photographs) + fold-out petition. Cover photograph of Archie Shepp by Magdalene Arndt Sinclair. Intended to provide "a forum for the new music", Change was slated by its editors to have four issues, but only one further number followed, in Spring 1966. Contributors include Jim Semark, Dave Sinclair, George Tysh, Joe Pinelli, Mort Maizlish, the editors and others, with reviews of concerts and records by Ornette Coleman, Charles Mingus, Steve Lacy, John Coltrane..... More about CHANGE/1. Detroit: Artists' Workshop Press, Fall/Winter 1965
Detroit: Artists' Workshop Press, Winter 1965/66. Ed. John Sinclair. 4to. Card wrps., mimeographed sheets, stapled. 98pp. Prospectus announcing the magazine whe're and this issue and an order form for both laid in, as issued. Front cover depicts John Dana, Charles Moore and Stanley Cowell in concert from a photograph by Magdalene Sinclair. Two-colour back cover designed by Jerry Younkins to resemble a United States flag with dollar signs, skulls and cross-bones in place of stars (some copies have a table of contents printed instead after the press ran out of the flag covers). The first section, edited by..... More about WORK/3
Original handbill announcing 'The Detroit Contemporary 5 Featuring Marion Brown', a series of concerts held in Newark, New Jersey presented by The Artists' Workshop/Detroit & The Jazz Art Music Society/Newark over three nights, January 7-9 (1966). Single sheet of tan-coloured paper stock, mimeographed with type and handwriting. 28x19cm. Lists the members of the DC 5 - Charles Moore, John Dana, Ronald Johnson and John Sinclair + alto saxophonist Marion Brown. The concerts formed part of a 10-day eastern tour by the DC 5, a cooperative ensemble formed by trumpeter Charles Moore, who previously co-founded the Detroit Artists' Workshop..... More about THE DETROIT CONTEMPORARY 5 FEATURING MARION BROWN
Tabloid newspaper format (28pp.). Ed. Allen Van Newkirk and John Sinclair (the latter resigned after the first issue following an editorial dispute). Produced by the revolutionary poet and radical Allen Van Newkirk and incorporating Change, Guerrilla was intended as a monthly newspaper of contemporary culture, but only two issues were published (it subsequently changed to a broadside format and its title was altered to Guerrilla: The Free Newspaper of the Streets). The first issue, printed in an edition of 5000 copies and featuring art and layout by Gary Grimshaw, includes contributions from Diane di Prima; Michael McClure;..... More about GUERRILLA - A Monthly Newspaper of Contemporary Kulchur #1 & 2 (all published). Detroit:...
Detroit: Artists' Workshop Press, (February 1967), second printing, September 1967 ("done by John Sinclair" for John Coltrane "who has passed from this planet since the book was first printed. May his spirit continue to guide our lives"). Oblong 8vo. Card wrps., 18 mimeographed sheets, stapled. Front cover photograph of John Sinclair taken by Magdalene Sinclair in Detroit, 1967; back cover photograph of John Sinclair and John Coltrane taken by Magdalene Sinclair, also in Detroit, 1967. Cover art and lettering by Gary Grimshaw. The 18th volume in the numbered series of Workshop books published by the Detroit..... More about Meditations: a suite for John Coltrane
Original handbill designed by Gary Grimshaw announcing the Russ Gibb-promoted Rising Eye Dance-Concert & Light Show at the Grande Ballroom, Detroit, May 19-20, 1967, featuring Scott Richard Case, December's Children, Thyme, and Odds & Ends. 28x21.5cm. SIGNED by Gary Grimshaw. Features ancient Egyptian motif with an Eye of Horus, snake/bird, etc. Printed in purple on thin white stock. Fine. More about RISING EYE DANCE-CONCERT & LIGHT SHOW
26.5x19.9cm. Printed in red on white stock. Illustrated with an eagle and the American flag, with the words "The Union and the Constitution Forever". John Sinclair became the MC5's manager less than two months after this concert. Fine. More about Original handbill designed by Gary Grimshaw announcing the MC5 at the See Theatre, Detroit, June...
Ed. Mike Aldrich. 4to. 24 mimeographed typescript sheets, printed rectos only on different colour paper stocks, alternated with dittoed duplicated sheets in aniline purple. Stapled at top corner. Subtitled Incense Terah, International Edition. Aldrich founded the first college chapter of LEMAR (Legalise Marijuana) at SUNY-Buffalo in 1967, and it appears he produced Incense as an outpost of Trans-Love Energies Unlimited, the "total cooperative tribal living and working commune" recently founded in Detroit by John Sinclair, Leni Sinclair and Gary Grimshaw (Trans-Love was the successor to the Artists' Workshop and produced rock concerts, light shows, books, pamphlets, posters, and..... More about INCENSE #13 (Buffalo, NY: Trans-Love Energies Unlimited Commune, September 1967
The final issue (actually published in early March). Ed. Mike Aldrich. 4to. 25 mimeographed typescript sheets, printed rectos and versos on different colour paper stocks. Illustrated. Stapled at top corner. Subtitled Incense Mantra and "dedicated to Allen Ginsberg who, in a Universe filling up with phony saints, is a real One" (Ginsberg was appearing at "New Worlds of our Making" at SUNY at the time, the first international drug policy conference open to the public). The contents include a page of mantras "as taught by Allen Ginsberg", a letter from Ginsberg to Mike Aldrich (Aldrich later worked as..... More about INCENSE #16 (Buffalo, NY: Friends of the West Upper Street Trans-Love Energies Unlimited Hot Area...
Ed. Dave Sinclair and Tom Mitchell. 4to. Card wrps., mimeographed sheets, stapled. 94pp. + 6pp. double-page fold-out insert + 8p. insert. "Front cover of Trans-Love Energies in action by Magdalene Sinclair" (the MC5 on stage at the Grande Ballroom); back cover design by Gary Grimshaw. Contributors to this final issue include Robert Kelly; Clayton Eshleman; Jim Burns; Robin Eichele; George Bowering; George Tysh; Lee Harwood; Allen Van Newkirk; Andrei Codrescu; David Gitin; Ron Caplan (fold-out); Jim Semark; Larry Eigner; Ron Levine; Michele Clark; Joan Miller; Janet Fox; Wes Magee; Jack Hirschman; John Sinclair; and the editors... More about WORK/5. Detroit: Artists' Workshop Press/Trans-Love Energies, May 1968
SIGNED by Gary Grimshaw. 18.1x10.5cm. Printed in purple on white stock. First printing (of two), with 'Place Stamp Here' stamp to verso upper right corner. No poster is known to exist for this gig. Fine. More about Original Grande Ballroom postcard designed by Gary Grimshaw announcing the Psychedelic Stooges as...
First printing (of three), with 'Place Stamp Here' stamp to verso upper right corner. No poster is known to exist for this gig. Illustration of a grinning skull with the words 'Kiss Me' in the eye sockets, printed in pink and brown. Mentions upcoming gigs by the MC5, Frost, and the Stooges. Fine. More about Original postcard featuring artwork by Donnie Dope announcing the Grateful Dead at the Grande...
A group of 4 early issues of this biweekly underground paper, founded and edited by Ken Kelley, a University of Michigan student who lived at the Trans-Love Energies commune off campus (the commune consisted of about twenty-eight people, including three children and the MC5, whose earnings financed the entire Trans-Love operation). A member of both Liberation News Service and the Underground Press Syndicate, the paper had close connections with John Sinclair (it lists him as the paper's Cosmologist) and the White Panther Party, formed by Sinclair as the political wing of Trans-Love Energies in November 1968 (influenced by..... More about ANN ARBOR ARGUS #3, #5, #9, and #11 (Ann Arbor, MI: March 13 - August 13, 1969
SIGNED by Gary Grimshaw. 28x21.6cm. Printed in deep pink on white stock. Illustrated. Cary Loren (Destroy All Monsters) has described Gary Grimshaw as "a crucial element whose artistic creations supplied the backbone of the Trans-Love/Grande Ballroom experience." Faint crease to lower left corner, o/w Near Fine. More about MOTOR CITY ROCK & ROLL! Original handbill designed by Gary Grimshaw announcing 'Motor City...
Printed in red and blue on white stock. 28x21.7cm. Hippie-style artwork with illustrations of flowers (possibly ironic) by Emmanuel. The MC5's Boston residency coincided with the Ann Arbor riots, three days of pitched battles between rock-throwing 'freeks' and riot-trained police. In response J. Edgar Hoover ordered that actions be taken to monitor, disrupt and damage the White Panther Party, who he believed had co-ordinated the revolt, and the subsequent police repression culminated in John Sinclair's arrest and imprisonment. Fine. More about Original handbill announcing 'Good, Clean Fun with the MC5 and Cloud' at The Ark, Boston,...
17.1x10.9cm. Verso prints two illustrated ads. in blue ink, one for a local record shop and the other for local underground paper Fifth Estate. The list of performers billed include Arthur Brown (or) Tim Leary, Frost, The Amboy Dukes, The Bonzo Dog Band, The Stooges, Pink Floyd, Savage Grace, Kim Fowley, Alice Cooper, Satan (himself), Bob Seger, SRS, Früt, and The Pleasure Seekers (featuring Suzi Quatro, younger sister of promoter Mike Quatro). At least four of the acts were never under contract for the event, however, and were falsely advertised by Mike Quatro - Arthur Brown..... More about BLACK MAGIC & ROCK & ROLL. Original postcard with multi-colour psychedelic artwork by...
28x21.6cm. Lettering faint grey (characteristic of early xeroxes), with an illustration of a sun/moon. Fine. More about Original xeroxed handbill announcing the Stooges and Up in a "Rock'nRoll Dance" at...
28x21.5cm. Printed in black on yellow/orange stock, illustrated with a line drawing of Leary. Noticeable creasing to left side and lower left corner, o/w Near Fine. More about Original handbill for a 'Free John Sinclair' benefit to be held in Ann Arbor, Michigan, January...
Printed in black on white card, with two red stars and the slogan 'Serve The People'. 5x8.8cm. The White Panther party in Marin handed out free food on the street, donated to peoples' stores and communes, and provided food for organisations such as the Black Panthers for their community service and Los Siete (a group of young Latinos from the Mission District of San Francisco framed for murdering a policeman in May 1969). Very Good plus. More about A small card providing the address and phone number for the Marin chapter of the White Panther...
Tabloid newspaper format. 16pp. Front cover image of Janis Joplin. Contents include news of court hearings for the White Panther Three (John Sinclair, Pun Plamondon and Jack Forrest); the problem of heroin ("Death drugs are weapons in the hands of the pigs"); the fifth communication from the Weather Underground; report from a White Panther demonstration at the Capitol building in Lansing; more. Old central horizontal fold, o/w Very Good plus. More about ANN ARBOR ARGUS - White Panther Community News Service #31 (Ann Arbor, MI: October 15, 1970
Tabloid newspaper format, folded, as issued. 16pp. Free John Now! issue (Sinclair was sentenced to ten years in prison in 1969 after offering two joints to an undercover female narcotics officer). Contents include Michael Aldrich (aka Dr. Dope) on unpure grass; a Statement by the Central Committee, Rainbow People's Party; Dave Marsh on John Sinclair (w. photo of Wayne Kramer and Sinclair); Rock & Roll Dope column by Frank Bach (w. photo of the MC5 at the Grande Ballroom); "John Must Be Set Free" by Pun Plamondon; an excerpted transcript of court proceedings from the day Sinclair was..... More about SUN #9 [?] (Ann Arbor, MI: May 28, 1971
32.4x24.7cm. SIGNED by Gary Grimshaw. Features a central photo-illustration of Sinclair flanked by two marijuana leaves. Printed in red and green on mustard-colour thin card stock. Fine. More about FREE JOHN NOW! Large handbill designed by Gary Grimshaw announcing a benefit concert for John...
SIGNED by Gary Grimshaw. 28x21.5cm. Features an illustration of Sinclair flanked by two marijuana leaves. Printed in red, green, and black on white paper stock. Near Fine. More about FREE JOHN NOW! Original handbill designed by Gary Grimshaw announcing a benefit for the John...
33x24.7cm. SIGNED by Gary Grimshaw. Features a cartoon illustration of a stoned hippie with speech bubble: "Ten years for smoke ain't no joke!". Printed in red and purple on white stock. Minor creasing to lower corners, o/w Fine. More about A BENEFIT FOR THE JOHN SINCLAIR FREEDOM FUND! Large handbill designed by Gary Grimshaw announcing...