NY: nd. (c. early 1970). Original double-sided flyer issued by the Alpert-Hughey-Melville Defense Fund following the arrests of Sam Melville and his accomplices Jane Alpert and John David Hughey III on charges of “conspiracy to destroy government property”. Printed recto and verso in black on white stock. Illustrated with an image of Sam Melville with raised fist. 28x21.7cm. Motivated by his opposition to the Vietnam war and American imperialism, and inspired by George Metesky (the so-called ‘Mad Bomber’ of the 1940s and ‘50s), Melville operated with a small group of accomplices, including his girlfriend, Jane Alpert, and David..... More about AMERIKA IS A TIME BOMB - FREE SAM MELVILLE

Also: 2pp. spread of photographs taken at the Weeley Festival; the Whole Earth Catalog centrespread; a 2pp. interview with Wavy Gravy by Jonathon Green and Rosie Boycott; Elastic Oz Band back cover ad.; more. Near Fine (unfolded). More about “Blow Up”, an extensive 3pp. cover story on the Angry Brigade, including a chronology and a...

London: Stoke Newington Defence Group, nd. (1972). 8vo. Stapled wrps., 32pp. Illustrated with collages, cartoons, graphics and photographs. Expresses solidarity with the Angry Brigade and the Stoke Newington Eight and critiques the Left’s response to them. Upper wrapper slightly soiled; lower wrapper creased; o/w Very Good. More about If You Want Peace Prepare For War

Original poster announcing a ‘Teach In’ organised by the Stoke Newington Defence Group on “the trial, political laws, courts, prisons, police” to be held at North London Polytechnic, February 17 (1973). Printed in black and pink on white stock. 45.5x32.1cm. Features a bold illustration of the Angry Brigade emblem. Near Fine. More about Teach In

NY: Black Mask, nd. (1967). Flyer printed in black on both sides. 28x21.5cm. Illustrated with a painting by Aldo Tambellini with the word ‘NOW’ emblazoned across it. A text to the verso, probably written by Ben Morea and titled “Freedom is not a gift from Captain Fink” (Captain Joseph Fink was the local East Village precinct officer), begins: “The hippies have become victims of their own ideology.” The critique attacks the hippies for becoming “tools of those against whom they have supposedly rebelled” and tells them: “Baby, you haven’t dropped out - you’ve been forced out because this..... More about Freedom is Not a Gift from Captain Fink

Tabloid format newspaper, published bi-weekly. 12pp. (incl. cover). SIGNED by Kathleen Cleaver in the margin above the masthead (Kathleen Neal joined the Black Panther Party and became the assistant editor of its newspaper in November 1967, married its co-founder Eldridge Cleaver in December, and subsequently became the party’s Communications Secretary). The paper’s front cover headline story, “Stokely Carmichael Drafted!”, reports on the draft notice recently served on him, describing how when Carmichael “first took his stand against the draft, he was virtually the only internationally known Afro-American leader to do so”. It continues by..... More about The Black Panther Black Community News Service Volume I, #4 (Oakland, CA: July 3, 1967

Single sheet, printed on both sides. 28x21.9cm. Illustrated with a b/w photograph of Huey P. Newton. The newsletter mentions Huey Newton’s upcoming appearance at the Alameda County Courthouse, Oakland on January 16 and the rally planned on the front steps of the courthouse to coincide with it, and Stokely Carmichael’s visit to the Oakland Auditorium on February 17. Held on Newton’s birthday, the latter event turned out to be one of the largest ‘Free Huey’ rallies, with over 5000 people attending, including H. Rap Brown, Bobby Seale, Eldridge Cleaver, the BPP’s civil rights attorney Charles Garry..... More about The Black Panther Ministry of Information Bulletin No. 1. Emeryville Branch, Oakland, CA: nd....

Np.: nd. (1968). Original badge, printed in black on a gold ground. 3cm. diameter. Illustrated with a photograph of Black Panther leader Eldridge Cleaver, who ran for president as the Peace and Freedom Party candidate in 1968 (the same photograph was printed alongside his interview for the December 1968 issue of Playboy magazine). Near Fine. More about Cleaver for President

Tabloid format newspaper, published weekly. 24pp. (incl. cover). Christmas-themed issue with front cover artwork by Emory Douglas depicting a Pig dressed as Santa emerging from a fireplace and being held at gunpoint by Black youths. The back cover, also by Douglas, is headlined “Black Revolutionary Xmas Wishes” and illustrates various armaments with the caption below reading: “… In Order To Get Rid Of The Gun… It Is Necessary To Pick Up The Gun”. In addition, the editorial by Brenda Presley on page 4 asserts that “Point Number 3 of the Black Panthers Ten-Point Platform makes Black people aware..... More about The Black Panther Black Community News Service Volume II, #18 (San Francisco, CA: December 21, 1968

Tabloid format newspaper, published weekly. 24pp. (incl. cover). Front cover artwork by Emory Douglas depicts a poor Black mother aiming a gun at a rat hole outside her front door, with two large rats in the foreground close to her small baby (the newspaper reprinted the same artwork on the back cover of its September 12, 1970 issue with the caption: “Kill the Greedy Slumlords!”). Page 2 prints Huey Newton’s experience of prison life, and pages 6-7 are devoted to the Panther 21, who were arrested and accused of planned coordinated bombing and long-range rifle attacks..... More about The Black Panther Black Community News Service Volume III, #12 (Berkeley, CA: July 12, 1969

Tabloid format newspaper, published weekly. 20pp. (incl. cover). Artwork by Emory Douglas on the front cover depicts a Pig being stabbed in the neck, and on the back cover a Pig bludgeoning a hippie with ‘Peace’ banner. Inside much coverage is given to the abuse meted out to Bobby Seale in prison after Judge Hoffman sentenced him to four years for 16 counts of contempt during the trial of the Chicago Eight, including an interview with him in which he describes his beatings and life inside ‘the hole’. The accompanying press release begins: “This is Bobby..... More about The Black Panther Black Community News Service Volume III, #32 (Berkeley, CA: November 29, 1969

SF: Black Panther Party, nd. (1969). Four-panel greeting card, blank interior, with b/w artwork of a battle scarred and wounded Pig by Emory Douglas, the Party’s Minister of Culture. Measures 17.8x25.4cm. (unfolded); 17.8x12.7cm. (folded). One of a series of twelve revolutionary greetings cards that were sold by the BPP to raise funds. Prints Eldridge Cleaver’s famous definition of the Pig, included in the first issue of the party’s newspaper: “A low natured beast that has no regard for law, justice, or the rights of people; a creature that bites the hand that feeds it; a foul..... More about What Is A Pig?

SF: Black Panther Party, nd. (1969). Four-panel greeting card, blank interior, with b/w artwork of armed Panthers by Emory Douglas, the Party’s Minister of Culture. Measures 17.8x25.4cm. (unfolded); 17.8x12.7cm. (folded). One of a series of twelve revolutionary greetings cards that were sold by the BPP to raise funds. The quotation is taken from the third page of Huey P. Newton’s 4pp. pamphlet, “In Defense of Self-Defense”, originally distributed at the University of North Carolina at Greensboro Black Power Forum in 1967. Near Fine. More about When a mechanic wants to fix a broken-down car engine, he must have the necessary tools to do the...

Tabloid format newspaper, published weekly. 24pp. (incl. cover). Anti-US imperialism front cover artwork by Emory Douglas, created while he was in Algiers visiting Eldridge Cleaver (who presented the drawing to the local paper where it was first published); the back cover continues the theme, with Douglas depicting two salivating Pigs (‘Nixon’ and ‘Moshe Dyan’) nose to nose, representing Israel as the Zionist puppet state of American imperialism (page 17 outlines the role of various countries in serving imperialism, including Britain, West Germany and France). Other contents include a statement by Cleaver, “To My Black Brothers In..... More about The Black Panther Black Community News Service Volume IV, #16 (Berkeley, CA: March 21, 1970

Tabloid format newspaper, published weekly. 24pp. (incl. cover). Halloween-themed issue featuring artwork by Emory Douglas to both the front and back covers: “Trick or Treat Pigs Trick or Treat”. Page 2 prints an ad. announcing a rally in New Haven on November 3 demanding the “Immediate Release of Ericka [Huggins] and Bobby [Seale]”, and page 4 announces the future publication of a book of Emory Douglas’s revolutionary art to be titled “We will not hesitate to either kill or die for our freedom” (a slogan from one of his recent drawings), though no record of the..... More about The Black Panther Black Community News Service Volume V, #18 (Berkeley, CA: October 31, 1970

Original badge featuring a design by Emory Douglas of a Black man wielding an assault rifle and hand grenade over a blue and white starburst background. 4.5cm. diameter. The BPP-organised Revolutionary People’s Constitutional Convention was originally held in Philadelphia in September 1970 with the intention of drafting a new version of the US constitution. It was attended by representatives from the Black Power Movement, Asian American Movement, Chicano Movement, American Indian Movement, Anti-war movement, and the Women’s Liberation and Gay Liberation movements, but the attempt to reconvene and ratify the new constitution in Washington DC in November, as..... More about Revolutionary People’s Constitutional Convention Washington D.C. Nov. 1970

Tabloid format newspaper, published weekly. 16pp. (incl. cover) + 4pp. supplement by Elaine Brown. The “Free Kathleen Cleaver And All Political Prisoners” issue, published two days after Eldridge Cleaver (in Algiers) announced that he had expelled Huey Newton (in Oakland) from the Black Panther Party. Back cover artwork by Emory Douglas, captioned “Shoot To Kill”. Other contents include news from the trial of Bobby Seale and Ericka Huggins; the Young Lords Party and its Rainbow Coalition with the BPP and the Young Patriots Organization (“a poor white progressive group”); a full-page “Letter from Kathleen Cleaver to..... More about The Black Panther Black Community News Service Volume VI, #6 (Berkeley, CA: March 6, 1971

Boston, Mass.: New England Free Press, nd. (1968). Second edition (the first was published earlier in 1968 in Nashville by the Southern Student Organizing Committee). 4to. Wrps., 32pp. In this essay, one of the founding documents of second wave feminism (sometimes referred to as the “Florida Paper”), the authors critique the “Women’s Manifesto” created by the Women’s Caucus at the 1967 Students for a Democratic Society (SDS) convention, and call for separate groups within the organisation in order to combat sexism and patriarchy within Movement organisations. In the “Handbook of Women’s Liberation” (1970), Marlene Dixon wrote: “That started..... More about Toward A Female Liberation Movement

Detroit: News & Letters, January 1970. First edition. 4to. Stapled wrps., 75pp. Cover design by Rosa Tubman (a pseudonymous conflation of Rosa Parks and Harriet Tubman?). “Women’s Liberation is a new voice in the freedom movement. We have just begun to recognize the totality of our oppression as women, and the necessity both to organize ourselves and to develop ourselves to fight that oppression… In the following pages, some of the many voices of Women’s Liberation speak for themselves and to each other… Women’s Liberation is so new, that for many of us this represents our first attempt..... More about Notes on Women’s Liberation: We Speak in Many Voices

Original flyer announcing a rally in Union Square (New York City) on March 7 (1970), initiated by “YAWF Women”. A short text announces the rally as the “First action in a quarter-century to commemorate March 8 as International Women’s Day, originated by a demonstration of women from the needle trades in 1908.” Printed in black on yellow stock. 28x21.6cm. The celebration of International Women’s Day as a day of struggle against women’s oppression was revived by the Women’s Caucus of Youth Against War and Fascism (YAWF), and the rally on March 7 in New York announced..... More about Rally for International Women’s Day

Tabloid size journal, loosely bound and folded once, as issued. 20pp. (incl. cover). Illustrated. This issue, edited by Judith Brown, “a feminist who helped organize the Gainesville, Florida W.L. group and is an editor for the R.T.”, focused entirely on women. In her full-page editorial, Brown explains the radical roots of the many Pro-Woman Line papers included, and concludes that in “this issue we offer some of our ideas, about therapy, psychiatry, the family, our movement, and we offer some of our humor and our art. Women will know what we mean. Men should try to understand.”... More about THE RADICAL THERAPIST Volume 1, #3, Special Issue: Women (Minot, North Dakota: The Radical...

London: Women’s Liberation Workshop (Hackney, Arsenal and Highbury groups), nd. (1970). First edition. 4to. Slim wrps., unpaginated (16pp.). Front cover illustrated with cartoons of Minnie the Minx (from The Beano), Flo (Andy Capp’s wife), and a stereotyped male fantasy of a young woman, each of whom subvert their roles in search of “some women who feel the same way as me!”. An explanatory pamphlet put together by three groups from the London Women’s Liberation Workshop, beginning with a section headed “What is Women’s Liberation?”. Subsequent sections include “Is Women’s Liberation Anti-Men?” (in which they..... More about Women’s Liberation: A Beginning

NY: Notes From The Third Year, 1971. 4to. Wrps., staple bound. 142pp. Photo-illustrated. The third and final anthology of radical feminist writing, organised into six sections: Liberating History; Women’s Experience; Theory and Analysis; Building a Movement; The Arts; and Bibliography. The editorial points out that the journal’s contents reflect the expansion of the women’s movement, and states that “this year has seen fewer manifestoes and more work on specific issues such as prostitution, women’s literature, rape, and lesbianism. It has been a period of intensive rather than extensive analysis.” Contributors include Cellestine Ware (“Black..... More about Notes From The Third Year: Women’s Liberation

Boston, Mass.: Boston Women’s Health Course Collective/New England Free Press, 10th printing, November 1972. 4to. Illustrated wrps. Three gatherings of newsprint, side-stapled. 136pp. Illustrated throughout with photographs, drawings and diagrams. The first book of its kind to be written by women, for women, containing eleven sections devoted to various aspects of women’s health and sexuality. Under headings such as Anatomy and Physiology, Some Myths About Women, Venereal Disease, Birth Control, Abortion, Pregnancy, Prepared Childbirth, and Women, Medicine and Capitalism, it features factual information along with first-person stories, “meant to be used by our sisters to increase consciousness about..... More about Our Bodies Our Selves: A Course By and For Women

Tabloid newspaper format. 12pp. (incl. cover). Illustrated. The newsletter of the London Women’s Liberation Workshop: this issue, the first to appear in 1974, was produced by the Fulham and Ealing Groups. Contents include individual narratives about “early consciousness of oppression”, diary-type entries about daily life, a piece about going back to work, and the psychological experience of getting a sexually transmitted infection. Some age-toning; old central horizontal fold; o/w Very Good plus. More about SHREW - How Did We Get Here? (London: Women’s Liberation Workshop, Summer 1974

Sm. folio. First and third issues staple-bound, 8pp. and 12pp. respectively; issue #2 consists of a single sheet folded centrally to make 4pp. Illustrated with photographs, détourned cartoons and old engravings, and pages from like-minded revolutionary publications Black Mask and Up Against The Wall Motherfucker. Taking their name from a slogan daubed on the wall of Newgate Prison during the Gordon Riots of 1781, the King Mob milieu came together in London in 1967, forming around the former English members of the Situationist International, with key figures Christopher Gray, Donald Nicholson-Smith, and Dave and Stuart Wise... More about KING MOB ECHO #1-3 (London: 1968-1969

Np., nd. (1976). Original poster printing Jan Carl Raspe’s statement (in German) on Meinhof’s murder, delivered in Stammheim on May 11 1976, two days after her death. Offset, printed in black on thin off-white stock. 60.8x41.8cm. Illustrated with a photograph of Meinhof in prison. The lower section prints two demands: that all prisoners in the armed anti-imperialist fight should be subject to the Geneva Convention, and that all RAF prisoners in Stammheim should immediately be fed together, ending with the slogan ‘Solidarität Mit Der RAF!’. Short, closed tears to lower edge; slight edge-wear and..... More about Ulrike Meinhof Ermordet (Ulrike Meinhof Murdered

Np. (London): no pub. (probably the Poster-Film Collective), nd. (1977/78). Offset, printed in black on white stock. Each 61x43cm. Illustrated. Texts in English. Berufsverbot (Professional Ban) was the name given to the Radikalenerlass (Anti-Radical Act) of 1972, intended to bar leftists working in the public sector. It formed part of the response to the Red Army Faction by Horst Herold, Chief Commissioner of the Federal Criminal Bureau (the BKA), and was followed in 1974 by the Lex Baader-Meinhof law, which led to the lawyers chosen by Andreas Baader and Ulrike Meinhof being removed from their cases two weeks..... More about A set of seven posters protesting the implementation of Berufsverbot, the German state’s...

The final issue of the Resurgence Youth Movement’s magazine, edited (though not stated) by Jonathan Leake and Walter Caughey. 4to. Eight stapled mimeographed sheets of varying colour paper stock, most pages printed recto and verso. Illustrated. Resurgence emerged following lectures given by Sam Dolgoff, Russ Blackwell and others at meetings of the Libertarian League in New York in the early 1960s attended by Jonathan Leake, then still a high school student, and Walter Caughey. Leake and Caughey billed their magazine as the organ of the Resurgence Youth Movement, said to be founded on August 10, 1964. It first..... More about RESURGENCE #12. Np., California: March 1967

i) THIS WORLD (SF: Chronicle Publishing, April 21, 1974). Tabloid newspaper format. 40pp. “The SLA Robs a Bank”, with front cover devoted to the now-famous security camera image of Patty Hearst (‘Tania’) with semi-automatic carbine inside the Hibernia Bank in San Francisco she (along with two other armed SLA members) robbed of $10,690 on April 15, 1974. The full-page report on page 5 prints another CCTV image from the robbery showing Patty with her accomplices, Donald DeFreeze (‘General Cinque’) and Camilla Hall (‘Gabi’), at the scene of the crime, and a photo-illustrated quote from Patty: “I have changed - grown;..... More about A group of 6 contemporary periodicals, each one with a front cover feature devoted to Patty...

NY: Avon Books, 1988. New movie tie-in edition (originally published as “Every Secret Thing” in 1982). Wrps., 499p. SIGNED by Patty Hearst on the title page. Avon printed 135,000 copies, hoping to cash in on Paul Schrader’s film, and although Hearst went to Cannes for the premiere and did some promotion for the book, signed copies are not common. Top right corner crease to upper wrapper and extremities slightly rubbed, but overall a tight, Very Good copy with uncreased spine. More about Patty Hearst: Her Own Story

NY: ESSO (1968). Tall foolscap flyer mimeographed from handwritten text (35.5x21.5cm.), produced by ESSO (The East Side Service Organization, sometimes known as the East Side Survival Organization), giving the Motherfuckers’ store front address of 341 East 10th Street and the date March 15th. ESSO was the ‘business name’ established by UAW/MF to encourage donations of money to help with the influx of hippie runaways and street people into the Village in the mid-‘60s. The flyer is divided into two halves printing two texts faced in opposing directions and separated by the word ‘FIREBOMB’, a provocative reference to the..... More about Firebomb

Newspaper format. 20pp. Illustrated. Ed. Jeff Shero. Prints the Motherfuckers’ famous ‘BAMN’ (By Any Means Necessary) manifesto on page 7: “We Are Outlaws… We are everything they say we are and we are proud of it. We are obscene, lawless, hideous, dangerous, dirty, violent and young.” Also: Chicago Democratic National Convention issue, featuring an extensive photo-illustrated report on the week-long protests and demonstrations by Elia Katz, Gordon Bishop and David Baggins, with brief “Writers Report” from William Burroughs, Jean Genet, Terry Southern and Allen Ginsberg (incl. photos of Burroughs and Genet); plus an anti-Miss America Pageant..... More about “We Are Outlaws” in RAT Subterranean News Vol. 1, #16 (NYC: R.A.T. Publications, September 6,...

Newspaper format. 28pp. Illustrated. The Weather Underground’s formal declaration of ‘war’ on the US government, a pivotal moment that completed the group’s transformation from political advocacy to violent action. Dohrn recorded the declaration (and also sent a transcript of it to The New York Times), and RAT’s editorial response, a “Weather Retort”, appears on the following page: “We cannot present this Declaration in a revolutionary women’s paper without some indication of our most vehement reactions” (RAT had recently been turned into a women-only paper when activists took it over from its original editors, Jeff Shero, Alice Embree and..... More about “A Declaration of A State of War” by Bernardine Dohrn in RAT (NYC: R.A.T. Publications, June...

Seattle, WA: Communications Co., nd. (c. 1971). Slim photo-illustrated wrps. Unpaginated (22pp.). Printed in different colour inks inside (by Clayton Van Lydegraf, a founder of Prairie Fire Organizing Committee). Illustrated with cartoons, graphics and photographs. An edited reprint of texts which had first appeared in late 1969, arguing (in a new introduction) that an “internationalist strategy of supporting, joining, and spreading wars of liberation of the oppressed peoples in order to defeat U.S. imperialism applies to the home front not only in terms of Black and Brown rebellion, but also, though in a different way, it necessarily determines..... More about The Object is to Win

Flyer, nd. (c. December 1970 or early 1971). 25.7x18.7cm. Printed in black on yellow stock. Photo-illustrated. An original flyer issued in the aftermath of the arrest of six members of the Weather Underground as they were preparing to bomb the First National City Bank at 1275 Madison Avenue, New York City, an act intended as a protest on the first anniversary of the death of the Black Panther leader, Fred Hampton. The flyer identifies one of the undercover detectives who had been trailing them as “Pig Steve Weiner” who “presently wears a mustache and goatee, is..... More about Beware Enemy of the People Steve Weiner - Undercover Pig Infiltrator Agent Provocator Fink Informer

No place: Red Dragon Print Collective, nd. (January 1975). First edition. Sq. 8vo. Stapled wrps., 48pp. “This is a women’s book… Everything that chokes our lives and freedom living under imperialism is a women’s issue… Those institutions and forces which degrade and oppress women are our enemies, to be identified, resisted and overthrown” (from the Introduction). A message printed inside the lower wrapper states that “This book was printed underground in the US, for the people” and invites “People’s organizations… to reprint it freely”. A second, variant issue appeared in March 1975 in celebration of International Women’s Day..... More about Sing a Battle Song. Poems by Women in the Weather Underground Organization

Original poster designed by Peter Legeria announcing “A Ritual. Pentagon. Exorcism. October 21. Washington” (1967). Illustrated with a mandala design featuring a skull and crossbones in the centre, and concentric rings with images of mushroom clouds, a Native American, Uncle Sam and Allen Ginsberg. Printed in purple and blue. 61x61cm. Late editions of the San Francisco Oracle #10 featured the image on its back page. A dramatic poster celebrating the Pentagon march, a seminal moment of the sixties counterculture that brought the anti-war demonstrators and Yippies, Hippies and Diggers together and helped rejuvenate the peace movement. Though it..... More about Exorcism of the Pentagon

27.8x21.6cm. Printed in black on white paper stock. Illustrated. The flyer promotes the event as “a Spring Mating Service Celebrating the Equinox, a Back-Scratching Party, a Roller-Skating Rink, a Theatre… with You, Performer and Audience. Get Acquainted with Other Yippies Now, For Other Yiptivities, and Chicago Y.I.P. Festival this Summer.” Far from being a celebration, the event resulted in more than 50 arrests in what Alan Levine described to the Village Voice as “the most extraordinary display of unprovoked police brutality I’ve seen outside of Mississippi”. In “Moving Through Here”, Village Voice staff writer Don McNeill..... More about Original flyer announcing a “Yippie! Yippie! Yippie! Yip-In in Grand Central Station” (New...

NY: Youth International Party, 1968. Original handbill printing a dense text in blue overprinted in large red letters with the words ‘Yippie!’ and ‘Chicago Aug 25-30’. 28x21.5cm. The background text prints a list of actual or imagined participants, humorous slogans and seemingly random or resonant ideas designed to evoke a carnivalesque atmosphere in advance of the Yippies’ planned Festival of Life in Chicago. Among those name-checked are the Diggers; Sharon Krebs; Steve Miller’s Blues Band; Hugh Romney; Ted Berrigan; The Fugs; John Wilcock; the Jimi Hendrix Experience; Gregory Corso; Norman Mailer; Phil Ochs; Timothy Leary; Shirley Clarke; Allen..... More about Festival of Life. Yippie! Chicago Aug 25-30

NY: The Dial Press, Inc., 1968. First edition. 8vo. Pictorial boards. 232pp. Photo-illustrated. Cover photograph of the author by Richard Avedon. Hoffman’s statement of the Yippies’ goals and his account of their myth-making activities. Small bump to head of spine, o/w Near Fine in very slightly rubbed dw. Uncommon in the hardcover edition. More about Revolution For The Hell Of It (by ‘Free’

Ed. Barney Rosset. Cover photograph by Kishin Shinoyama (later the sleeve photographer for John Lennon and Yoko Ono’s albums “Double Fantasy” and “Milk and Honey”). Also: Erich Goode (‘Marijuana and Sex’); an interview with Roman Polanski; Nat Hentoff on student rebellion; and an 8pp. b/w portfolio of Shinoyama’s erotic photographs. Trivial wear to head of spine, o/w Near Fine. More about “A Yippie Manifesto” by Jerry Rubin (13pp.) in EVERGREEN REVIEW Volume 13, #66 (NY: May 1969

NY: Simon & Schuster, 1970. First edition. 8vo. Decorated boards. 256pp. Designed by Quentin Fiore. Illustrated with photographs and graphics throughout. 6pp. introduction by Eldridge Cleaver, then living in exile in Algiers (“It is impossible for him to be a child of Amerika - no matter how he spells it. Jerry is not an Indian. He is a descendant of the invaders”). Near Fine in slightly rubbed and lightly edge-worn dw. Uncommon in the hardcover edition. More about Do It! Scenarios of the Revolution

NY: Big Toe Records, nd. (1971). LP record (Big Toe 1). An anarchic sound collage of TV and radio interviews with Hoffman, recorded speeches and demonstrations, interspersed with music by the Joint Chiefs of Staff, appearances by Jerry Rubin, etc. Hoffman subsequently disassociated himself from the record (later issues have a disclaimer pasted on to the back cover). Disc excellent in Very Good sleeve (some spine wear and soiling to left edge of rear panel). More about Wake Up, America!