Paris: Two Cities Editions, 1960. First edition. Wrps. Cover design by Brion Gysin. Minor fading to spine; very faint stain to upper wrapper and light spotting to lower wrapper; o/w Near Fine. Together with: two TLS from the book’s publisher, Jean Fanchette, written on Two Cities stationery, to Fred Hunter (an early Burroughs collector in England and co-founder of the spoken word label Stream Records), dated April 3 and May 20, 1963. Approx 102 + 279 words respectively (mailing envelope for second letter present). In the first letter Fanchette advises on the availability of Two Cities..... More about Minutes To Go

SF: Beach Books, Texts & Documents, 1968. First US edition. Perfect bound wrps. New front cover design. Frontispiece collage by Claude Pélieu. Fine. More about Minutes To Go

Ed. Alex Neish. 8vo. Stapled wrps., 64pp. Burroughs contributes “Have You Seen Slotless City?” (6pp.), including “The Cut Up Method of Brion Gysin” (four short paragraphs, a different, more condensed text than versions published later), and “Slotless City Cut Up, Cut City”. Also: Edwin Morgan; Robert Creeley; Dave Haselwood; Michael Rumaker; Gary Snyder; and others. Inside back cover prints an ad. for Jim Haynes’s Paperback Bookstore in Edinburgh, recently famous for a sale of the recently unbanned and newly republished “Lady Chatterley’s Lover” to an elderly woman who promptly set fire to it outside the shop. Very Good plus. More about SIDEWALK #2 (Edinburgh: 1960

The correspondence relates to the acquisition of manuscript material from Burroughs, initially by Henry W. Wenning of New Haven, Connecticut, and following the publication of The ‘Outsiders’ in late 1962, the author’s dealings with Grant and Jim Roman regarding further acquisitions. The collection comprises 10 typed letters signed and one autograph postcard signed from William Burroughs to Henry W. Wenning; 7 typed letters signed from William Burroughs to Grant Roman; 8 carbon copy typed letters from Grant Roman to Burroughs and 9 from Jim Roman to Burroughs; 3 carbon copy typed letters from Grant Roman to Gâit Frogé..... More about A collection of correspondence with booksellers Henry W. Wenning, Ulysses Grant Roman and James...

Ed. Jean Fanchette. 8vo. Perfect bound wrps., 96pp. Burroughs contributes “Transitional Period” (4pp.). Fanchette co-founded the bilingual literary magazine with Anaïs Nin in 1959 while still a medical student in Paris (he trained in neuro-psychiatry and later practised as a psychoanalyst). Also: Octavio Paz; Harold Norse; John Ashbery; Daisy Aldan; the editor; others. Minor rubbing to spine edges, o/w Very Good plus. More about TWO CITIES #6 (Paris: Summer 1961

Paris: Olympia Press, 1962. First edition. Wrps. No. 91 in the Traveller’s Companion Series. Dustwrapper photo-collage by Ian Sommerville. The second book in the cut-up trilogy, originally titled “Word Falling - Photo Falling”, with Burroughs utilising the fold-in method (an extension of the cut-up method) and Brion Gysin’s system of permutations. Mikey Portman is acknowledged on page 4 for his collaboration in the sections “In A Strange Bed” and “The Black Fruit”. Faint edge-spotting, o/w Fine in very Near Fine dw. Together with: a TLS from the book’s publisher, Maurice Girodias, to Fred Hunter..... More about The Ticket That Exploded

London: Calder & Boyars, 1968. First UK edition. Dark blue boards. Prints the same text as the Grove Press edition. Near Fine in lightly rubbed dw. Together with: an early pre-publication state of the first UK edition, possibly distributed as an advance reading copy. Sewn gatherings, uncut, in plain, unprinted wrappers. Very Good plus. More about The Ticket That Exploded

London: John Calder, 1963. First edition. Dustwrapper reproduces an Ian Sommerville photo-collage of Burroughs’ Olympia Press editions. SIGNED and inscribed by Burroughs on the title page to Allen De Loach. Taking its title from a line in “The Naked Lunch” (“Only dead fingers talk in braille”), Burroughs included sections from “The Naked Lunch” (in a different sequence), “The Soft Machine” and “The Ticket That Exploded”, along with some previously unpublished material in an attempt to create a new novel. There were no equivalent American or French editions. Very Good plus in price-clipped but otherwise..... More about Dead Fingers Talk

Ed. Jon Edgar Webb. 8vo. Perfect bound wrps., 138pp., with pink tissue endpapers (“printed by hand”). Burroughs contributes “Take It to Cut City - U.S.A.”. Also: Charles Bukowski (+ front cover photo); Michael McClure; Robert Creeley; Carl Solomon; Harold Norse; Jean Genet; Gary Snyder; Kenneth Patchen; Henry Miller; Diane Wakoski; Gary Snyder; and many others. Minor wear at head and tail of spine, o/w Very Good plus. More about THE OUTSIDER #3 (New Orleans: Loujon Press, Spring 1963

NY: Grove Press, 1964. First edition. Orange cloth. The final part of the cut-up, or ‘Nova’, trilogy, incorporating cut-ups from Joyce, Shakespeare, Rimbaud, Kerouac, Jack Black, and others. Near Fine in dw. More about Nova Express

Paris: Édition 10/18, 1972. First French mass-market p/b edition, translated by Mary Beach and “adapted” by Claude Pélieu. Front cover photograph by Brion Gysin. SIGNED and inscribed on the title page: “For Henri and Jeanne Chopin all the best William S. Burroughs”. A nice association, since Henri Chopin had recently published “Electronic Revolution” by Burroughs, incorporating a French translation by Jean Chopin (item #94), and previously issued recordings by him for his Collection OU. Paper age-toned, o/w a tight, Very Good copy. More about Nova Express

Ed. Jeff Nuttall. Mimeographed foolscap sheets, stapled. The ‘Special Tangier Edition’, containing the first appearance of The Moving Times. SIGNED and inscribed by Burroughs on the front cover: “Dear Douglas Lyne, I thought this magazine put out by a friend Mr. J. Nuttall of London might interest you: an experiment in do it yourself present time writing. Please drop me a line from London with best wishes for you and your wife Cordially William Burroughs”. An additional inscription written above reads “Tangier, Morocco c/o U.S. Consulate May Day” (indicating that, contrary to his recollection in “Bomb..... More about MY OWN MAG #5 (Barnet, Herts.: [nd] circa April 1964

NY: June/July 1964. Stapled mimeo (7 leaves, printed rectos only). 28x21.7cm. The first of six rare book catalogues issued by Ed Sanders between June 1964 and September 1965, listing 55 items, including a folio of papers relating to his publication of “Roosevelt After Inauguration” by William Burroughs, a complete (to date) run of Fuck You/a magazine of the arts, and a silk-screened pillow case by Andy Warhol (“this famous & gleaming artist”), priced at $100.00. The most famous item was Allen Ginsberg’s Ponds Cold Cream jar, “or cock lubricant”, specially inscribed by him, priced at $35.00..... More about A Catalogue of manuscripts, holographs, literary relics, tape recordings, drawings, books,...

Ed. Jeff Nuttall. Mimeographed foolscap sheets, stapled. Edinburgh Festival special. Burroughs contributes “What in Horton Hotel Rue Vernet...” in The Burrough. Also: Alexander Trocchi; Tom McGrath; Bill Butler. Old faint central horizontal fold; biro squiggle to back page; staples slightly rusty, o/w Very Good plus. More about MY OWN MAG #8 (Barnet, Herts.: August 1964

i) THE TIMES LITERARY SUPPLEMENT No. 3258. Tabloid size newspaper. 44pp. Cover by Richard Hamilton. Burroughs contributes “The Literary Techniques of Lady Sutton-Smith”, a cut-up manifesto featuring an English woman in Tangier who likes to “think of words as being alive like animals. They don’t like to be kept in pages. Cut the pages and let the words out.” A review of “The Yage Letters” appears on the same page, preceded by a reference to Burroughs in a lead article as “a key figure in today’s avant-garde myth” (titled “The Changing Guard”, the international avant-garde was the subject..... More about THE TIMES LITERARY SUPPLEMENT No. 3258 (London: August 6, 1964) + No. 3262 (London: September 3,...

Ed. Martin Leman. 12mo. Wrps., (28pp.). A ‘William Burroughs Special’, with paper label announcement pasted across upper wrapper. First state, with red 2/6 price label. Contains “The Border City”, “The Danish Operation” and “The Cut”. Illustrated throughout with pop art graphics (Ron Sandford and others). Wrappers slightly soiled, o/w Very Good plus. More about ARCADE #1 (London: 1964

Ed. Jeff Nuttall. Mimeographed foolscap sheets, stapled. My Own Mag Fall Out Shelter issue, with green stain to front cover and first two pages. Burroughs contributes “Extracts from Letter to Homosap” and “Personals Special to The Moving Times”. Also: Allen Ginsberg; Robert Creeley; Tom McGrath; John Latham; B.S. Johnson; Dick Wilcocks; and others. Near Fine. More about MY OWN MAG #9 (Barnet, Herts.: November 1964

NY: ‘C’ Press, 1965. First edition. 4to. Wrps., unpaginated. One of 100 numbered copies SIGNED by William Burroughs and Brion Gysin (from a total edition of 1000 copies). Burroughs’ own version of Time magazine, including the cover of the November 30 1962 issue collaged over with a reproduction of a painting, four drawings by Brion Gysin, and 26pp. of typescripts comprised of cut-up texts and various photographs exploring the themes of time, death and control. The book, the fourth publication from Ted Berrigan’s ‘C’ Press, was Burroughs’ response to the November 30 issue of..... More about Time

Paris: The English Bookshop, 1965. LP record. Burroughs’ first record release. Photograph of Burroughs on front of sleeve by Harriet Crowder (misspelt ‘Crowther’). Liner notes by Emmett Williams and Jean-Jacques Lebel. Burroughs reads extracts from “The Naked Lunch” on side 1 and from “Nova Express” on side 2. The tapes were recorded and edited by Ian Sommerville in Paris. A few superficial marks to vinyl, not affecting sound quality; sleeve lightly corner-worn and creased; back cover slightly rubbed and age-toned; o/w Very Good. 1000 copies pressed. More about Call Me Burroughs

London: Lovebooks, 1965. First edition. Ed. Miles. Wrps., 24pp. Contains the first version of “Who Is the Walks beside You Written 3rd?”, a Tangier three-column style piece “moving at different speeds” (5pp.). Also includes three collages by Miles, Bill Brandt-inspired photographs of Gala Mitchell by Hoppy, and a revised version of “Cable Street” by Lee Harwood. Printed by Binn Tivy in an edition of 500 copies, some of which were numbered (this copy unnumbered). Faint age-toning to cover and light spotting to lower wrapper, o/w Near Fine. More about Darazt: an anthology

Ed. Jeff Nuttall. Mimeographed foolscap sheets, stapled. Burroughs contributes “Dec. 29: Tuesday was the Last Day for Singing Years”, “Letter to Jeff Nuttall”, and “Collage” in The Moving Times; plus letters and quotes from newsclippings on Dr. Dent’s apomorphine treatment. Also: Michael McClure; Jeff Nuttall; Anselm Hollo. Very Good plus. More about MY OWN MAG #11 (Barnet, Herts.: February 1965

Ed. Jeff Nuttall. Mimeographed and offset foolscap sheets, stapled. Illustrated. Prints Burroughs’ “The Dead Star” in offset facsimile of the original manuscript. Also: Jeff Nuttall. Minor handling wear, o/w Near Fine. One of 500 numbered copies. More about MY OWN MAG #13 - Dutch Schultz Special (Barnet, Herts: August 1965

Original collage, 1965. Gelatin-silver print, paper, and typescript on paper. 31x24cm. SIGNED in ink below the title. Mounted and framed for the exhibition Ports of Entry: William S. Burroughs and the Arts, held at the Los Angeles County Museum of Art between July 18-October 6, 1996. A three-column cut-up text, with rosette red seal and a photograph of a magazine experiment. Published in November 1965 in b/w facsimile in the sixth issue of Aram Saroyan’s mimeo magazine, Lines (item #49). Robert A. Sobieszek describes the collage in his catalogue essay, “Who Is The Third Who Walks..... More about The Last Post Danger Ahead

Ed. Charles Plymell. Folio. Wrps., bound with red string (12pp., incl. cover). The third and final issue of Now. Cover photograph by Ralph W. Ackerman. Burroughs contributes “Method Text”, a facsimile of a three-column layout manuscript with the heading “Afterbirth of Dream Now”, based in part on passages taken from the first issue of Now (sent to him by Plymell). Also: Philip Whalen (“Homage to William Seward Burroughs”); Claude Pélieu (a series of telegrams to Burroughs featuring cut-up texts, reproduced in facsimile); drawings by Antonin Artaud and ‘Manny Lipschitz’ (Dean Stockwell); collages by Norman Mustill and..... More about NOW NOW NOW (SF: 1965) + TLS

SF: Beach Books, Texts & Documents, 1966. First edition thus (following the 1965 Fuck You Press edition of “10 or 20 copies”). Consists of a photo-offset reproduction of Burroughs’ manuscript and scrapbook pages, featuring the three-column cut-up style. Near Fine. Together with: an autograph postcard signed from Claude Pélieu in San Francisco to the co-editor of The Insect Trust Gazette, Bill Levy, in Chambersburg, Pennsylvania, c. 1966. Pélieu writes “APO-33 & Carl S ok” (Beach Books published Carl Solomon’s “Mishaps, Perhaps” around the same time as “APO-33”), adding “Good news from W.S. Burroughs” (in a letter..... More about APO-33: Bulletin, A Metabolic Regulator

Ed. Shepard Sherbell. Burroughs contributes “Fun and Games, What?” (4pp.). This copy has been inscribed at his contribution by Allen Ginsberg “For Gunter Grass”, along with a subsequent note to him: “You can read it easier on this page Gunter - Allen” (Ginsberg’s poem, “I Am Victim of Telephone”, appears in holograph facsimile and again in typescript on the following page). It seems likely that Ginsberg’s presentation of the magazine to Grass took place at Princeton in late April 1966, where both had been invited to speak, the former at a weekend series of..... More about EAST SIDE REVIEW - A Magazine of Contemporary Culture #1 (all published). NY: Jan./Feb. 1966

Ed. Carl Weissner. 4to. Wrps., bound with three staples and grey binder’s tape (50pp.). Illustrated, including one insert. SIGNED, inscribed and dated December 14, 1966 inside the front cover by Carl Weissner to Tom McNamara (whose lengthy correspondence with Charles Bukowski had recently appeared in the literary magazine Down Here). Burroughs contributes “Tape Recorder Mutations” (excerpts of texts previously published in The Insect Trust Gazette), “Time” and “Nova Express”. Also: selections from Claude Pélieu’s manuscript, “Visa for a Bone Sky”; “passages from some recent texts” by Carl Weissner (5pp.).; Diane di Prima; Larry Eigner;..... More about KLACTOVEEDSEDSTEEN #4 (Heidelberg: PANic Press, November 1966

SF: Beach Books, Texts & Documents, 1967. Second edition. SIGNED by William Burroughs on the front cover. The second edition, printed on different paper stock, was expanded to 20 pages to include photo-collages by Jean-Jaques Lebel and Liam O’Gallagher. Wrappers slightly creased, o/w Very Good plus. More about So Who Owns Death TV?

The ‘14-Hour Technicolor Read-In’ issue, with psychedelic rainbow colour cover designed by Mike McInnerney, published to coincide with the benefit for International Times held at Alexandra Palace, north London on April 29. Gysin contributes a cut-out/cut-in featuring texts from “Minutes To Go”, printed as the psychedelic colour centrespread. Also: John Latham; the New York Human Be-In; a feature on Conrad Rooks and “Chappaqua” by Simon Vinkenoog + an interview with Rooks; Bill Levy on the Bilderberg Conference; John Cage; UFO club ad. About Near Fine. More about INTERNATIONAL TIMES #12 (London: Lovebooks Ltd., April 28, 1967

Ed. Nancy White. Lge. 4to. 196pp. Burroughs contributes excerpts from “The Third Mind”, four full-pages of photo-reproduced facsimile manuscripts in the three-column cut-up style, including a description of a trip from Tangier to Gibralter and what Burroughs calls “reading intersections” (the books he is reading). The first page is reproduced on p.139 in the Viking edition of “The Third Mind”. The illustrations are accompanied by a brief explanatory text (including a quote from Burroughs’ Paris Review interview with Conrad Knickerbocker), and preceded by an introductory statement printed in another section of the magazine: “… Burroughs has..... More about HARPER’S BAZAAR (NY: August 1967

London: Writers Forum Poets No. 22, November 1967. First edition. 8vo. Stapled wrps., with yapp edges, featuring cover art by Jeff Nuttall. 31pp. A collection of Pélieu's cut-up texts, translated from the French by Mary Beach. Yapp edges slightly creased, o/w Very Good. More about Swift Scripts, Notes and After Effects

Ed. Gail Dusenbery. Large single newsprint sheet, folded once to make 4pp. Measures 45.5x30cm. (unfolded). Prints “At 7 P.M.”, a text by Claude Pélieu translated from the French by Mary Beach. Also: Clemens Starck; David Cole; Luis Garcia; Diana Morán; John Simon; Ken McLaren; Richard Denner; and Jim Wehlage. Very Good. Folded in four for mailing, with original envelope postmarked July 24, 1968, sent from City Lights and addressed to Bill Levy at International Times in London (subsequently forwarded to his home address following IT’s recent restructure as a co-operative). More about THE NATOMA FREE SUN Vol. 1, #1 (SF: April 25, 1968

Ed. Martin Bax. Large newspaper format, folded twice (12pp.). Cover image of Brigitte Bardot from the 1959 movie “Voulez-vous danser avec moi?” (the same part of the still had previously been illustrated on the front cover of ARK The Journal of the Royal College of Art #25, and in full inside [see item #242]). The Burroughs contribution is “Johnny 23” (from “Exterminator!”), with an illustration by Ron Sandford. Also: JG Ballard; Bruce Mclean; Peter Blake; Michael Horovitz; Anselm Hollo. Central vertical and horizontal folds (short split to lower vertical fold), o/w Very Good plus. More about AMBIT #37 (London: 1968

Wrps., 96pp. Ed. Jan Herman. Cover art by Roy Lichtenstein. Contains “The Coldspring News” by Burroughs, accompanied by a photograph of the author by Harold Chapman. Also: Jan Herman; Carl Weissner; Claude Pélieu; Allen Ginsberg; Ed Ruscha; Dick Higgins; Ed Sanders ("The Hairy Table", a story that raised rightwing hackles after it was chosen for a proposed George Plimpton-edited anthology); Jean-François Bory; Carl Solomon; Charles Plymell; and a lengthy conversation between Jean-Jacques Lebel and David Wise (King Mob). Wrappers slightly rubbed, o/w Very Good plus. More about SAN FRANCISCO EARTHQUAKE #4 (SF: Summer/Fall 1968

SF: Nova Broadcast, 1969. First edition. Wrps. One-leaf (folded) pamphlet, staple-bound in wrps. SIGNED by Burroughs on the title page. The first US publication of a piece done in Burroughs’ familiar Scrapbook, photo-collage 3-column newspaper-style, originally published in a different format in Jeff Nuttall’s My Own Mag ‘Dutch Schultz’ issue (item #46). Light rubbing to wrappers, o/w Near Fine. More about The Dead Star

Ed. Carl Weissner. Large folio (poster size) newspaper, folded to make four pages. Measures 78x104cm. unfolded. Printed in blue on white stock. Illustrated with photographs and graphics. Burroughs contributes “Abstract” and “The Invisible Generation”, the first publication of a postscript to “The Invisible Generation (Continued)”, printed in International Times #5.5 in December 1966. Also: Jürgen Ploog; Jan Herman; Claude Pélieu; Mary Beach; Harold Norse; Liam O'Gallagher; JG Ballard; Wolf Vostell; Allen Ginsberg; Sinclair Beiles; Abbie Hoffman; and Charles Bukowski. The Burroughs texts are in English, most of the others are in German. Central vertical..... More about KLACTO/23 INTERNATIONAL (Frankfurt: Nova Press, Sept. 17, 1899, ie. 1969

Ed. Jeffrey Youdelman. 4to. Stapled wrps., 52pp. Burroughs contributes “Two Abstracts”. Also: George DiCaprio; Noe Goldwasser; Charles Kutcher. Illustrations by Bill Woodall. Lower wrapper partially faded; yapp edges slightly creased; o/w Very Good. More about LIP #1 (Palo Alto, CA: Fall 1969

London: Fulcrum Press, 1969. First edition. Bound in buckram, with gilt spine lettering. 96pp. Limited edition of 75 numbered copies SIGNED by Nuttall, printed on amber Glastonbury antique laid paper. Three Burroughs-inspired stories, with a preface by Burroughs (“Brion Gysin proposed the cut up and collage methods… to… put the writer in tactile communication with his medium. Jeff Nuttall is one of the few writers today who actually handles his medium.”). Fine in clear acetate dw. More about Pig

Ed. Peter Stansill. Newspaper format. 28pp. Front and back cover art by Mike McInnerney. Weissner contributes “Demolition Plan 23: Postscript To The Manifesto For The Grey Generation” (1pp.), from “La Génération Grise et Invisible… to be published by Le Soleil Noir, Paris” (see item #85, “L’Internationale Hallucinex”). Also: full-page ad. for “Some of IT”; Eric Mottram (transcription of a talk given at the Arts Lab); free radio (2pp.); John Mayall interview; Doors film centrespread feature; extracts from an interview by David Pendleton with JG Ballard; Mal Dean cartoon strip (1pp.); Tim Leary running for Governor; Simon..... More about IT #60 (London: Knullar Publishing Ltd., July 18-31, 1969

London: Jonathan Cape, 1970. First UK edition. Same text as the first US edition, except for some corrections and minor deletions. Review copy, with publisher’s printed slip laid in. Short, closed tear to upper wrapper near spine, o/w Near Fine in dw. More about The Job: Interview with William Burroughs by Daniel Odier

Ed. Alan Marcuson. Tabloid newspaper format, folded once, as issued. 40pp. Burroughs contributes “Storm the Reality Studios” (1pp.), a text reprinted shortly afterwards by the Los Angeles Free Press under the title “Cut Ups as Underground Weapons”. Also: Heathcote Williams (“The Enemy Within”) + interview with Williams and Pat Hartley (who played Sadie in Williams’s play, “AC/DC”); 1pp. interview with reggae pioneer Junior Lincoln; The Soft Machine (2pp., photo-illus.); GTO Miss Pamela in England (w. Phil Franks photo); Dick Lawson on Krautrock; more. Pages 23/24 torn and edge-worn with paper loss; newsprint slightly age-toned; o/w Very Good. More about FRIENDS #9 (London: July 10, 1970

Editor unknown. Oblong 12mo. String-bound brown paper wrps. Unpaginated. Pastel green crêpe type paper printed in brown, rectos only. Cover art by Ralph Steadman. Illustrated throughout. Contains “Martin’s Folly” (2pp.) by William Burroughs. Scatalogically scarce and bibliographically rare, not recorded in any of the Burroughs bibliographies nor located online in any institutional library. The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry at the University of Iowa contains only an announcement for Wipe: Entertainment for the Lavoratory (though not the book itself), which describes it as “the first illustrated toilet paper… sold in a...... More about WIPE No. 1 (London: 1970

NY: Grove Press, 1971. First edition. A collection of 18 separate stories, begun in March 1967 and completed in August 1969, though only a small amount was selected for the published edition. Written in a more orthodox style than his earlier novels, the book still uses the cut-up method, particularly in the recurring section “The Penny Arcade Peep Show”, which is repeatedly folded-in and cut up. Near Fine in price-clipped dw. More about The Wild Boys. A Book of the Dead

Cambridge: Blackmoor Head Press, 1971. First edition, trade issue in wrappers. 4to. Printed for Henri Chopin and his Collection OU. SIGNED and inscribed by William Burroughs to Claude Pélieu and Mary Beach: “For Claude and Mary old combatants William S. Burroughs”. Prints an important text (a discourse on tape cut-ups), with French translations by Jean Chopin. Cover by Brion Gysin; layout by Henri Chopin. One of 450 numbered copies (from a total edition of 500), this one #107. Near Fine. More about Electronic Revolution

Gottingen: Expanded Media Editions, 1971. Special edition of the first German edition, limited to 100 numbered copies (this one #065), SIGNED by William Burroughs on the title page and with a real matt photograph of him by Brion Gysin affixed to the opposing page. 16mo. Stiff black wrps., tape bound, with blue-stained edges. Issued in a photographic dust jacket. Contains the complete text of “Electronic Revolution” in English and a German translation by Carl Weissner. Title page loosely inserted. Near Fine in dw. (slight age-toning, with minor wear, to spine panel). Scarce. More about Die Elektronische Revolution

Paris: Editions Champ Libre, 1974. First French edition. Narrow 4to. Wrps. SIGNED by William Burroughs on the half-title page. This edition also contains translations by Jean Chopin of “Time”, featuring different photographs from the ‘C’ Press edition, which are not by Burroughs, nor arranged by him (the four calligrams by Brion Gysin from the first edition are also replaced by four new ones for this edition), and “Etoile Morte (The Dead Star)”, with the photographs rearranged from the Nova Broadcast Press edition of 1969 (which itself had rearrangements from the text’s first publication in My Own..... More about Revolution Electronique

Buffalo, NY: Intrepid Press, 1971. 4to. Stapled wrps., unpaginated (16pp.). Illustrated. “The first in a new series of (experimental) publications from Intrepid Press”, consisting of cut-up texts by De Loach which “evolved out of various letters the author was writing concurrently to William Burroughs, Brion Gysin, Eric Mottram and members of the Grey Insurrection”. Very Good (biro squiggle to upper wrapper). More about Buffalo Cold Spring Precinct 23 Bulletin